Una joven de la alta sociedad neoyorquina empieza a sentirse interesada por un joven que se ha mudado a su edificio de viviendas, pero su pasado amenaza con interponerse en su camino.Una joven de la alta sociedad neoyorquina empieza a sentirse interesada por un joven que se ha mudado a su edificio de viviendas, pero su pasado amenaza con interponerse en su camino.Una joven de la alta sociedad neoyorquina empieza a sentirse interesada por un joven que se ha mudado a su edificio de viviendas, pero su pasado amenaza con interponerse en su camino.
- Ganó 2 premios Óscar
- 12 premios ganados y 13 nominaciones en total
- José da Silva Pereira
- (as Vilallonga)
- Nightclub Stripper
- (as Miss Beverly Hills)
- Bartender
- (sin créditos)
- Spieler at Stripjoint
- (sin créditos)
- Woman
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaAudrey Hepburn's salary for the film was $750,000 (roughly equivalent to $7.3 million as of 2022), making her the highest paid actress per film at the time.
- ErroresWhen Holly gets out of the cab in the rain at the end, her hair is already soaking wet from previous takes.
- Citas
Paul Varjak: You know what's wrong with you, Miss Whoever-you-are? You're chicken, you've got no guts. You're afraid to stick out your chin and say, "Okay, life's a fact, people do fall in love, people do belong to each other, because that's the only chance anybody's got for real happiness." You call yourself a free spirit, a "wild thing," and you're terrified somebody's gonna stick you in a cage. Well baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somali-land. It's wherever you go. Because no matter where you run, you just end up running into yourself.
[takes out the ring and throws it in Holly's lap]
Paul Varjak: Here. I've been carrying this thing around for months. I don't want it anymore.
- Versiones alternativasThe 45th Anniversary DVD release of the film includes revealing footage of the nightclub stripper that was previously left out of the earlier DVD and video releases. Blake Edwards planned to include the extended striptease sequence in an alternate version of the film for European release.
- ConexionesEdited into Dove Chocolate: Audrey Hepburn (2013)
Neither Holly nor Paul seem to represent real people. Their attraction, which is the focal point of the movie, is a character unto itself. Paul sees Holly as scared, vulnerable, and in need of rescue and enjoys his role as potential knight in shining armor to her damsel in distress. She is drawn to him because he sees beyond her facade of fabulousness to the scared little girl she is inside and which she tries (not that hard really at all) to hide. Adding to her attraction to him is the fact that he stands up to her when she treats him shoddily. This probably does not happen to her too often, and it intrigues her.
These are mostly the tricks a romance novelist uses to keep readers baited and rooting for a fictional, possibly doomed romance to work and do not reflect the real nature of love. There is, however, enough chemistry, genuine affection, and respect between the two characters to keep the story from seeming utterly implausible.
Of course, a movie doesn't have to be realistic to realistically portray what is right and what is wrong with the world we live in. Breakfast at Tiffany's doesn't do a whole lot of that either, though. After watching I can never pinpoint one solid message from it.
What it does have a lot of, as many others have pointed out, is stylish, witty, good fun. This is almost always the movie I choose on the rare occasions when my husband is working late, my son is asleep, I have energy to spare and good bottle of wine just begging to be uncorked. Believable or not, it is well-told and compelling, and remains one of the better movies a gal can lose herself in.
- smc71
- 5 feb 2006
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- Diamantes para el desayuno
- Locaciones de filmación
- 169 East 71st Street, Manhattan, Nueva York, Nueva York, Estados Unidos(Holly Golightly's New York apartment)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,500,000 (estimado)
- Total a nivel mundial
- USD 594,615