Un día en la vida de un matrimonio infiel y el constante deterioro de su relación.Un día en la vida de un matrimonio infiel y el constante deterioro de su relación.Un día en la vida de un matrimonio infiel y el constante deterioro de su relación.
- Premios
- 6 premios ganados y 4 nominaciones en total
- Il signor Fanti
- (as Guido Ajmone Marsan)
- Sé stesso
- (sin créditos)
- Un invitato alla festa
- (sin créditos)
- Sé stesso
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaThis movie was one of Stanley Kubrick's 10 favorite films and received four votes from critics and six votes from directors in the 2012 Sight & Sound greatest films poll.
- ErroresWhen Giovanni pours champagne in the hospital, Bernhard Wicki (Tommaso) looks straight into the camera while turning his head from Lidia to Giovanni.
- Citas
Lidia: [reading from a piece of paper] "When I awoke this morning, you were still asleep. As I slowly emerged from my slumber, I heard your gentle breathing and through the wisps of hair over your face I saw your closed eyes and I could barely contain my emotion. I wanted to cry out, to wake you up, because you slept so deeply, you almost seemed lifeless. In the half light, the skin of your arms and throat appeared so vibrant, so warm and dry that I longed to press my lips against it, but the thought of disturbing your sleep, of you awake in my arms again, held me back. I preferred you like this, something on one could take from me bacause it was mine alone - - this image of you that would be everlasting. Beyond your face I saw my own reflection in a vision that was pure and deep. I saw you in a dimension that encompassed all the times of my life, all the years to come, even the years past as I was preparing to meet you. That was the little miracle of this waking moment: to feel for the first time that you were and always would be mine and that this night would go on forever with you beside me, - with the warmth of your blood, your thoughts, and your will mixed with mine. At that moment, I realized how much I loved you, Lidia, and the intensity of the emotion was such that tears welled up in my eyes. For I felt that this must never end, that all our lives should be like an echo of this dawn, with you no belonging to me but actually a part of me, something breathing within me that could could ever destroy except the apathy of habit, which is the only threat I see. Then you awoke and with a sleepy smile, kissed me, and I felt there was nothing to fear that we'd always be as we were at that moment, bound by something stronger than time and habit."
- ConexionesFeatured in Cinq colonnes à la une: Episode dated 1 December 1961 (1961)
After he concluded with the two lovers willingly not pursuing their feelings at the end of L'Eclisse, he turned inwards, and with each subsequent film he peered under one more veil of false perception. But what was he trying to look into in La Notte, what does he find here?
La Notte is a step behind L'Eclisse, naturally. Here love matters, or is thought that it should, to the bitter end. The finale is overbearing with pessimism then because love fails to be that saving grace, that we're still alone, consumed by our desires. But that's not all of it either.
Even when Mastroyanni painfully knows that the love he cherished has vanished with time and habit, he still clings to it. Even a dragging routine is preferable than the emptiness of solitude. This is how love functions here, as a shelter that soothes the existential pains, or a mask that mercifully obscures them.
But these people are not simply lost adrift in faceless crowds and cold rooms, they're clinging on the craving of desire for their salvation. When I say that the mind is not transcended yet in these films of Antonioni's alienation phase, it's because it still dictates desire, the terms under which a meaningful life should be pursued.
But to show that love is not our saving grace because it's subject to the whims and tedium of time would be to concede that we are merciless at the hands of higher forces beyond our control, that we're not masters of our fate. It was important in this aspect to go a step beyond, to show us characters become aware of the emptiness of desire by willingly giving up on it. But for that we'd have to go ahead to L'Eclisse and Il Deserto Rosso.
By itself La Notte may seem like it's laboriously pondering to say too little. As part of an oeuvre though, it has a place that can't be dismissed lightly.
- chaos-rampant
- 30 mar 2011
- Enlace permanente
Selecciones populares
- How long is La Notte?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 39,236
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,547
- 18 sep 2016
- Total a nivel mundial
- USD 40,703
- Tiempo de ejecución2 horas 2 minutos
- Color
- Relación de aspecto
- 1.85 : 1