CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Un niño pobre consigue un trabajo para su tío rico que termina enamorándose de dos mujeres.Un niño pobre consigue un trabajo para su tío rico que termina enamorándose de dos mujeres.Un niño pobre consigue un trabajo para su tío rico que termina enamorándose de dos mujeres.
- Ganó 6 premios Óscar
- 15 premios ganados y 10 nominaciones en total
Robert J. Anderson
- Eagle Scout
- (sin créditos)
Gertrude Astor
- Bit Part
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaIn her autobiography, Shelley Winters described producer and director George Stevens' way of working: "He would discuss the scene, but not the lines, and would photograph the second or third rehearsal so the scene had an almost improvisatory quality. Stevens would print the first take, then spend the next three hours minutely rehearsing the scene, then film it again. He explained to me that in this way he often got actors' unplanned reactions that were spontaneous and human and often exactly right. And often when actors overintellectualize or plan their reactions, they aren't as good."
- ErroresAlice Tripp is wearing different shoes when she starts walking home from the movie with George Eastman from those she is wearing when they near her residence. When Shelley Winters pointed out to director George Stevens that the brown and white shoes she was wearing turned to black when she walked around the corner, the director refused to re-shoot the scene. According to Winters, he said, "If they're looking at her feet, I can go home."
- ConexionesFeatured in Hollywood: The Fabulous Era (1962)
Opinión destacada
I can only say that George Stevens' version of Theodore Dreiser's "An American Tragedy" is not what I envisioned when I read the book. Therefore, I came away disappointed at the screen treatment with Liz Taylor (beautiful but shallow), Montgomery Clift (beautiful but shallow) and poor Shelley Winters looking like a drab little wren. An air of artificiality hangs over every scene, every slow-moving scene, and only increases by the time the story arrives at the courtroom climax where an unrestrained Raymond Burr is allowed to chew the scenery.
This is NOT the great picture everyone always says it is. It's one of those films that dates badly. Evidently, fans of Liz Taylor and Monty Clift are starry-eyed about their favorite actors and refuse to see the weaknesses in the plodding story and the thinly sketched characters. Elizabeth Taylor had much better roles in her future career (Cat On a Hot Tin Roof, Giant) and Montgomery Clift would make an unforgettable Morris Townsend in The Heiress. Their acting here is as self-conscious as the arty camerawork that frames them in huge romantic close-ups.
The novel had much more depth and meaning than this watered down version of the story. Read it and you will wonder what all the fuss was about when "A Place in the Sun" was released. Vastly overrated and noteworthy only for the sincere performance of Shelley Winters and Franz Waxman's interesting background score.
This is NOT the great picture everyone always says it is. It's one of those films that dates badly. Evidently, fans of Liz Taylor and Monty Clift are starry-eyed about their favorite actors and refuse to see the weaknesses in the plodding story and the thinly sketched characters. Elizabeth Taylor had much better roles in her future career (Cat On a Hot Tin Roof, Giant) and Montgomery Clift would make an unforgettable Morris Townsend in The Heiress. Their acting here is as self-conscious as the arty camerawork that frames them in huge romantic close-ups.
The novel had much more depth and meaning than this watered down version of the story. Read it and you will wonder what all the fuss was about when "A Place in the Sun" was released. Vastly overrated and noteworthy only for the sincere performance of Shelley Winters and Franz Waxman's interesting background score.
- Doylenf
- 22 ago 2001
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Detalles
Taquilla
- Presupuesto
- USD 2,295,304 (estimado)
- Total a nivel mundial
- USD 748
- Tiempo de ejecución2 horas 2 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Ambiciones que matan (1951) officially released in India in English?
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