CALIFICACIÓN DE IMDb
6.7/10
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TU CALIFICACIÓN
Sin ley dentro de las 200 millas, el ganadero de caballos Jeremy Rodak maneja su terreno con mano de hierro y trata con los ladrones de manera aún más despiadada.Sin ley dentro de las 200 millas, el ganadero de caballos Jeremy Rodak maneja su terreno con mano de hierro y trata con los ladrones de manera aún más despiadada.Sin ley dentro de las 200 millas, el ganadero de caballos Jeremy Rodak maneja su terreno con mano de hierro y trata con los ladrones de manera aún más despiadada.
John Halloran
- Cowboy
- (sin créditos)
Charles Anthony Hughes
- 1st Buyer
- (sin créditos)
Tom London
- Cowboy
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaThird and final western of James Cagney.
- ErroresThough the setting is 1875 and Wyoming Rodock tells Steve that there are no Indians there any more. Considering that the biggest Indian war would take place the following year, the Great Sioux War (the Battles of Rosebud and Little Bighorn), that is a pretty incredible statement. In fact the cause of the war in 1876 was the establishment of the reservation in 1875 and the declaration that any Indian NOT on it by January 31, 1876 would be considered hostile and at war with the US. Therefore, the Lakota, Cheyenne, and Arapaho that went to war with the United States in 1876 did so because they were roaming free in Montana, Wyoming, and Colorado in 1875, contrary to Rodock's view's.
- Citas
Jeremy Rodock: One thing you gotta learn tho - horse is man's slave but treat 'em like a slave and you ain't a man.
- Créditos curiososAnd Introducing Irene Papas
- ConexionesFeatured in Down on the Farm with James Cagney (1955)
- Bandas sonorasRough Wrangler
Written by Stan Jones
Opinión destacada
Robert Wise does a commendable job of keeping a strong cast under control in his western saga about a tough horse rancher (JAMES CAGNEY) who believes in swift justice whenever his horses are stolen or his ranch hands are murdered. He's ready with a hangman's knot and exerts control over everyone around him. Eventually, he's softened by the love of a woman (IRENE PAPAS) who comes to respect him when he spares the lives of three men he's bent on punishing--although he does treat them brutally for what they've done to his horses.
It's an interesting yarn with strong characters, but the plot isn't as strong as the characters who inhabit it. STEPHEN McNALLY is a nasty ranch hand determined to avenge Cagney for firing him and coming between him and Irene Papas. VIC MORROW does a standout job as a nearby rancher's son upon whom Cagney thrusts some strong punishment.
It's photographed in gorgeous Technicolor with its Widescreen lenses capturing magnificent landscapes. Miklos Rozsa's score is often given a muted treatment beneath the more intimate scenes and only occasionally veers into stronger flourishes for the darker moments. In other words, it's not one of his more memorable scores but the main theme has a robust flavor to it.
Cagney and Papas carry most of the weight as far as performances go, but DON DUBBINS (who looks like a Robert Redford clone in a boyishly handsome sort of way), does a standout job as the young ranch hand who saves Cagney's life and is rewarded with a job as a wrangler who comes to detest the brutality of the vigilante justice.
Summing up: A compelling western yarn that benefits from strong performances.
It's an interesting yarn with strong characters, but the plot isn't as strong as the characters who inhabit it. STEPHEN McNALLY is a nasty ranch hand determined to avenge Cagney for firing him and coming between him and Irene Papas. VIC MORROW does a standout job as a nearby rancher's son upon whom Cagney thrusts some strong punishment.
It's photographed in gorgeous Technicolor with its Widescreen lenses capturing magnificent landscapes. Miklos Rozsa's score is often given a muted treatment beneath the more intimate scenes and only occasionally veers into stronger flourishes for the darker moments. In other words, it's not one of his more memorable scores but the main theme has a robust flavor to it.
Cagney and Papas carry most of the weight as far as performances go, but DON DUBBINS (who looks like a Robert Redford clone in a boyishly handsome sort of way), does a standout job as the young ranch hand who saves Cagney's life and is rewarded with a job as a wrangler who comes to detest the brutality of the vigilante justice.
Summing up: A compelling western yarn that benefits from strong performances.
- Doylenf
- 11 mar 2009
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 2,800,000 (estimado)
- Tiempo de ejecución1 hora 35 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principales brechas de datos
By what name was Tribute to a Bad Man (1956) officially released in India in English?
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