CALIFICACIÓN DE IMDb
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TU CALIFICACIÓN
Tres soldados se reúnen diez años después de su último encuentro en Nueva York para descubrir que ya no tienen mucho en común.Tres soldados se reúnen diez años después de su último encuentro en Nueva York para descubrir que ya no tienen mucho en común.Tres soldados se reúnen diez años después de su último encuentro en Nueva York para descubrir que ya no tienen mucho en común.
- Nominado a 2 premios Óscar
- 3 nominaciones en total
David Ahdar
- Dancing Boxer
- (sin créditos)
Betty Arlen
- Girl
- (sin créditos)
Phil Arnold
- Butch - Assistant at Stillman's Gym
- (sin créditos)
Sybil Bacon
- Woman on Skates
- (sin créditos)
Walter Bacon
- Bartender
- (sin créditos)
Jimmy Baird
- Child Dancer
- (sin créditos)
Tom Bernard
- Page
- (sin créditos)
Rodney Bieber
- Dancing Boxer
- (sin créditos)
Madge Blake
- Mrs. Stamper
- (sin créditos)
Willie Bloom
- Bar Patron
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaGene Kelly bought the roller skates for the "I Like Myself" number down the block from his house at Pioneer Hardware on Beverly Drive. He also mentioned that the skates were not altered in any way; they weren't locked to his shoes, so when he tapped in them, he had no help.
- ErroresIn the 1945-1955 montage, the shot of the 1953 New Years Eve crowds at Times Square shows Cuando muere el día (1941) at the Criterion Theatre, so it's obviously New Years Eve 1941-1942 footage.
- Citas
Doug Hallerton: There must be some more dignified way to sell Klenzrite... like you, taking a bath in it, stark naked in Macy's window.
- ConexionesEdited into American Masters: Gene Kelly: Anatomy of a Dancer (2002)
- Bandas sonorasMarch, March
(1955) (uncredited)
Music by André Previn
Lyrics by Betty Comden and Adolph Green
Performed by Gene Kelly, Michael Kidd (dubbed by Jud Conlon) and Dan Dailey
Opinión destacada
Just an aside,really:
You notice how sparsely Gene Kelly's finest numbers are shot? Long takes,little in the way of cinematic flair? Well,ponder this for a moment-he will often do something truly spectacular at the end of a take,leading one to wonder just how many times the poor chap put himself through the preceding minutes before getting it right...
A case in point is the justly famed (among those in the know) "Rollerskate Number":In order to demonstrate that the skates are,indeed,authentic,Kelly will swap-flawlessly-from "tap" to "glide" at the end of each take.
Incredible.
Compare and contrast,by the way,with protege Donald O'Connor's emulation in "I Love Melvin"-we never see thetwo movements co-existing within the same shot.
Gene Kelly made me want to dance when I was 11,and not feel like a poof for doing so.
You notice how sparsely Gene Kelly's finest numbers are shot? Long takes,little in the way of cinematic flair? Well,ponder this for a moment-he will often do something truly spectacular at the end of a take,leading one to wonder just how many times the poor chap put himself through the preceding minutes before getting it right...
A case in point is the justly famed (among those in the know) "Rollerskate Number":In order to demonstrate that the skates are,indeed,authentic,Kelly will swap-flawlessly-from "tap" to "glide" at the end of each take.
Incredible.
Compare and contrast,by the way,with protege Donald O'Connor's emulation in "I Love Melvin"-we never see thetwo movements co-existing within the same shot.
Gene Kelly made me want to dance when I was 11,and not feel like a poof for doing so.
- dr-andy
- 14 dic 2000
- Enlace permanente
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- USD 2,771,000 (estimado)
- Total a nivel mundial
- USD 1,309
- Tiempo de ejecución1 hora 41 minutos
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- 2.55 : 1
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By what name was Siempre hay un día feliz (1955) officially released in India in English?
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