Las pruebas de armas nucleares estadounidenses dan como resultado la creación de una bestia parecida a un dinosaurio aparentemente imparable.Las pruebas de armas nucleares estadounidenses dan como resultado la creación de una bestia parecida a un dinosaurio aparentemente imparable.Las pruebas de armas nucleares estadounidenses dan como resultado la creación de una bestia parecida a un dinosaurio aparentemente imparable.
- Premios
- 4 premios ganados y 2 nominaciones en total
Kokuten Kôdô
- The Old Fisherman
- (as Kuninori Kôdô)
Argumento
¿Sabías que…?
- TriviaAn often-repeated myth is that the productions of both this film and Los siete samuráis (1954) nearly drove Toho into bankruptcy. This neglects to mention a third Toho film made that year, Miyamoto Musashi (1954). All three of them were the most expensive Japanese films made up to that point and big financial risks for Toho. However, there is little evidence to suggest that Toho was ever at risk for bankruptcy. Toho released a total of 68 feature films that year, the most successful of which were "Seven Samurai", "Samurai I: Musashi Miyamoto", and "Godzilla", in that order.
- ErroresSeveral characters in the film, including Dr. Yamane, Japan's leading paleontologist, insist that the Jurassic Period was 2 million years ago. This is off by 143.5 million years.
- Citas
[last lines]
Dr. Kyohei Yamane: I can't believe that Godzilla was the last of his species. If nuclear testing continues, then someday, somewhere in the world, another Godzilla may appear.
- Versiones alternativasIn the scene where Godzilla destroys the train, shots of terrified people watching were cut from the U.S. version of the film.
- ConexionesEdited into Gigantis, el monstruo de fuego (1955)
- Bandas sonorasPrayer for Peace
(uncredited)
Performed by students of the Toho High School of Music
Lyrics by Shigeru Kayama
Composed by Akira Ifukube
Opinión destacada
This is it; the original Japanese version of "Gojira" (aka "Godzilla"), the film that introduced the now-legendary movie monster. But does the movie have anything to offer besides a man in a rubber suit stomping all over a miniature version of Tokyo? I think so.
It isn't too surprising that the film is actually a thinly-veiled allegory for the threat of the escalating weapons race circa 1954. After all, other sci-fi films of the era covered similar ground. However, what I find interesting about this film is how it gives equal consideration to both sides of the argument.
The script does a good job of building suspense around the creature until we get to his inevitable rampage. From that point on I find that the action flags a little but that may be due in part to the sometimes unconvincing special effects. Then again, what do you expect from a 54 year old monster movie from Japan? The miniatures often look like miniatures and Godzilla is, after all, a guy in a rubber suit. Nevertheless, while the effects aren't even as convincing as 1933's "King Kong" I think that they still hold a certain charm.
The cast isn't bad and it does include Takashi Shimura of "Seven Samurai" fame. The acting didn't grab my attention much but, then again, I couldn't exactly catch every nuance while paying attention to the subtitles at the same time. Ishirô Honda's direction is solid and the Akira Ifukube score provides pretty good support to the action. I thought that the sound was a bit sub-par at times, though.
Ultimately, "Gojira" is worth watching despite its rudimentary special effects. In my mind, it's the underlying symbolism that makes the film special. By the way, forget about the American-ized version, "Godzilla, King of the Monsters"; it's a sometimes clumsy reworking that ignores most of the original film's complexity.
It isn't too surprising that the film is actually a thinly-veiled allegory for the threat of the escalating weapons race circa 1954. After all, other sci-fi films of the era covered similar ground. However, what I find interesting about this film is how it gives equal consideration to both sides of the argument.
The script does a good job of building suspense around the creature until we get to his inevitable rampage. From that point on I find that the action flags a little but that may be due in part to the sometimes unconvincing special effects. Then again, what do you expect from a 54 year old monster movie from Japan? The miniatures often look like miniatures and Godzilla is, after all, a guy in a rubber suit. Nevertheless, while the effects aren't even as convincing as 1933's "King Kong" I think that they still hold a certain charm.
The cast isn't bad and it does include Takashi Shimura of "Seven Samurai" fame. The acting didn't grab my attention much but, then again, I couldn't exactly catch every nuance while paying attention to the subtitles at the same time. Ishirô Honda's direction is solid and the Akira Ifukube score provides pretty good support to the action. I thought that the sound was a bit sub-par at times, though.
Ultimately, "Gojira" is worth watching despite its rudimentary special effects. In my mind, it's the underlying symbolism that makes the film special. By the way, forget about the American-ized version, "Godzilla, King of the Monsters"; it's a sometimes clumsy reworking that ignores most of the original film's complexity.
- sme_no_densetsu
- 31 ago 2009
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Japón bajo el terror del monstruo
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 175,000 (estimado)
- Total en EE. UU. y Canadá
- USD 562,711
- Fin de semana de estreno en EE. UU. y Canadá
- USD 38,030
- 9 may 2004
- Total a nivel mundial
- USD 590,389
- Tiempo de ejecución1 hora 36 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Godzilla (1954) officially released in India in Hindi?
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