Mi Secreto Me Condena

Título original: I Confess

1953
B
1h 35min

CALIFICACIÓN DE IMDb

7.2/10

24 k

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Theatrical Trailer from Warner Bros. Pictures

Reproducir trailer2:48

1 video

63 fotos

Crime Drama Thriller

Un cura bajo sospecha por asesinato no puede limpiar su nombre sin violar el secreto confesionario.Un cura bajo sospecha por asesinato no puede limpiar su nombre sin violar el secreto confesionario.Un cura bajo sospecha por asesinato no puede limpiar su nombre sin violar el secreto confesionario.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

7.2/10

24 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Premios
- 1 nominación en total

Maid
(sin créditos)

Henry Corden

Det. Sgt. Farouche
(sin créditos)

J. Léo Gagnon

Policeman
(sin créditos)

Carmen Gingras

1st French Girl
(sin créditos)

Albert Godderis

Nightwatchman
(sin créditos)

Alfred Hitchcock

Man Crossing the Top of Long Staircase
(sin créditos)

Renée Hudon

2nd French Girl
(sin créditos)

Ovila Légaré

Monsieur Villette
(sin créditos)

Gilles Pelletier

Father Benoit
(sin créditos)

Judson Pratt

Murphy
(sin créditos)

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Bajo el signo de Capricornio

Argumento

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Trivia
Sir Alfred Hitchcock, as was his custom, created detailed storyboards for each scene. He could not understand Montgomery Clift's method acting technique and quickly became frustrated with Clift when he blew take after take for failing to follow Hitchcock's directions.

Errores
Just before Logan accidentally smashes the car window when he's attacked by the mob, the window can be seen to have been "pre-cracked" to allow it to break upon impact.

Citas
Fr. Michael William Logan: I never thought of the priesthood as offering a hiding place.

Conexiones
Edited into Histoire(s) du cinéma: Une histoire seule (1989)

Bandas sonoras
Love, Look What You've Done To Me
(uncredited)
Music by Dimitri Tiomkin
Lyrics by Ned Washington

Opiniones de usuarios152

Opinión

Opinión destacada

8/10

Montgomery Clift's Face

I could follow the film just by looking into Montgomery Clift's extraordinary face. Look at his reaction to the confession. Clift's eyes are a symphony of emotions with him doing nothing. Powerful, brilliant, unforgettable. I forgot it was a Hitchcock film not matter how suspenseful it is, and it is, because Clift's internal torture is so pungent. Dimitri Tiomkin's score, terrific as it is, pushes us away from Hitchcock's territory. What I'm saying is that is not Bernard Herrmann.

A blonde Anne Baxter, an intense Karl Malden, and a delightful Brian Aherne keeps us a bit dislocated. The conclusion, framed by faces reacting to Clift's secret is a powerful and totally satisfying ending.