Una compañía de cine mudo pasa a incorporar sonido.Una compañía de cine mudo pasa a incorporar sonido.Una compañía de cine mudo pasa a incorporar sonido.
- Nominado a 2 premios Óscar
- 11 premios ganados y 11 nominaciones en total
Dawn Addams
- Teresa - a Lady-in-Waiting
- (sin créditos)
John Albright
- Call Boy
- (sin créditos)
Shirlee Allard
- Chorus Girl
- (sin créditos)
Bebe Allen
- Chorus Girl
- (sin créditos)
Sue Allen
- Chorus Girl
- (sin créditos)
John Angelo
- Dancer
- (sin créditos)
Marie Ardell
- Chorus Girl
- (sin créditos)
Bette Arlen
- 'Miss January' in 'Beautiful Girl' segment
- (sin créditos)
David Bair
- Chorus Boy
- (sin créditos)
Jane Bateman
- Chorus Girl
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaFor the "Make 'em Laugh" number, Donald O'Connor revived a trick he had done as a young dancer: running up a wall and completing a somersault. The number was so physically taxing that O'Connor ended up in a hospital bed for a week after its completion. He suffered from exhaustion and carpet burns. After an accident ruined all of the initial footage, O'Connor agreed to do the difficult number all over again.
- ErroresDuring the Cyd Charisse nightclub dance number, when she's wrapped around Gene Kelly, her body completely changes position between frames due to a clumsy edit. According to commentary on the special edition DVD, this cut of only a few frames' duration dates back to the original release of the film and no one knows why it exists.
- Citas
Cosmo Brown: Lina. She can't act, she can't sing, she can't dance. A triple threat.
- ConexionesEdited from Los tres mosqueteros (1948)
- Bandas sonorasFit as a Fiddle
(1932)
Music by Al Hoffman (uncredited) and Al Goodhart (uncredited)
Lyrics by Arthur Freed
Originally from the 1932 stage revue "George White's Music Hall Varieties"
Sung by Gene Kelly (uncredited) and Donald O'Connor (uncredited)
Opinión destacada
This is my favorite movie musical with no stage forebear.
Consider what's in the mix: A cachet of songs, all tried-and-true from other movies. A cast that was at the top of its form, all the way from Kelly himself to the supporting leads played by Rita Moreno and Millard Mitchell. A script that is, at once, romantic and exciting and sharp and funny.
Stir together with a generous heaping of MGM color and a dash of a director with a stellar pedigree and the result is, well, something like "Singin' in the Rain."
There's not a misstep in the movie's entire 103-minute running time. I love the pokes at early filmmaking ("She never *did* figure out where that microphone was, boss!") and the sheer energy of the musical numbers ("Fit as a Fiddle," "Good Mornin'").
Not only that, but there's not a more romantic scene in all of filmdom that can compare with Reynolds and Kelly dancing to "You Were Meant for Me." Their side-by-side tap dancing says more about how they feel about each other than pages and pages of dialog.
Great stuff!
If you think this movie is just the sequence of Kelly splashing like a five-year-old in a puddle, you obviously haven't seen the entire film. Do so--now! You won't regret it!
PS: In the "rent-this-too" category, if you've seen and love "Singin' in the Rain," check out "The Band Wagon." It skewers the world of theater in much the same way as this film roasts Hollywood!
Consider what's in the mix: A cachet of songs, all tried-and-true from other movies. A cast that was at the top of its form, all the way from Kelly himself to the supporting leads played by Rita Moreno and Millard Mitchell. A script that is, at once, romantic and exciting and sharp and funny.
Stir together with a generous heaping of MGM color and a dash of a director with a stellar pedigree and the result is, well, something like "Singin' in the Rain."
There's not a misstep in the movie's entire 103-minute running time. I love the pokes at early filmmaking ("She never *did* figure out where that microphone was, boss!") and the sheer energy of the musical numbers ("Fit as a Fiddle," "Good Mornin'").
Not only that, but there's not a more romantic scene in all of filmdom that can compare with Reynolds and Kelly dancing to "You Were Meant for Me." Their side-by-side tap dancing says more about how they feel about each other than pages and pages of dialog.
Great stuff!
If you think this movie is just the sequence of Kelly splashing like a five-year-old in a puddle, you obviously haven't seen the entire film. Do so--now! You won't regret it!
PS: In the "rent-this-too" category, if you've seen and love "Singin' in the Rain," check out "The Band Wagon." It skewers the world of theater in much the same way as this film roasts Hollywood!
- dweck
- 31 ene 1999
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Singin' in the Rain
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,540,800 (estimado)
- Total en EE. UU. y Canadá
- USD 1,884,537
- Fin de semana de estreno en EE. UU. y Canadá
- USD 13,643
- 10 nov 2002
- Total a nivel mundial
- USD 2,093,682
- Tiempo de ejecución1 hora 43 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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