Sangre en el río

Título original: The Big Sky

1952
Approved
2h 20min

CALIFICACIÓN DE IMDb

6.9/10

4.9 k

TU CALIFICACIÓN

Kirk Douglas, Arthur Hunnicutt, Dewey Martin, and Elizabeth Threatt in Sangre en el río (1952)

The success of the journey focuses on keeping the Indian girl alive as well as themselves to complete trade with the Blackfeet.

Reproducir trailer1:38

1 video

34 fotos

Classical Western Adventure Drama Western

El éxito del viaje se centra en mantener con vida a la joven india y a ellos mismos para completar el comercio con los Blackfeet.El éxito del viaje se centra en mantener con vida a la joven india y a ellos mismos para completar el comercio con los Blackfeet.El éxito del viaje se centra en mantener con vida a la joven india y a ellos mismos para completar el comercio con los Blackfeet.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

6.9/10

4.9 k

TU CALIFICACIÓN

Ver la información de producción en IMDbPro

Nominado a 2 premios Óscar
- 3 nominaciones en total

Singer
(sin créditos)

Don Beddoe

Horse Trader
(sin créditos)

Oscar Blank

Tavern Patron
(sin créditos)

Eugene Borden

Tavern Proprietor
(sin créditos)

Chet Brandenburg

Tavern Patron
(sin créditos)

Cliff Clark

Jailer
(sin créditos)

Iron Eyes Cody

Blackfoot Subchief
(sin créditos)

Booth Colman

Pascal
(sin créditos)

Más como esto

6.9

Amor equivocado

6.5

Nocturno

7.6

Caravana de mujeres

7.1

El secreto del jinete

6.6

Arrostrando la muerte

7.3

6.6

6.0

6.9

5.7

La isla de la traición

7.7

Río Rojo

6.2

Horas amargas

Argumento

Editar

¿Sabías que…?

Editar

Trivia
While shooting Río Rojo (1948), there was a scene that director Howard Hawks unsuccessfully urged John Wayne to do. It involved his getting a finger mangled between a saddle horn and a rope, resulting in Walter Brennan's amputating it. Hawks reportedly told Wayne, "If you're not good enough, we won't do it", but Wayne wouldn't do it. According to Hawks biographer Todd McCarthy, Hawks did get Kirk Douglas to do that scene in this film, and it came off so funny that Wayne later declared to Hawks, "If you tell me a funeral is funny, I'll do a funeral."

Errores
Jim expresses amazement at the size of St. Louis. However, he had just come from Louisville, which in 1832 was about twice the size of St. Louis, so it should not have been a source of such astonishment.

Citas
Zeb Calloway: Blackfeet... proud injuns. They ain't gonna let no white man spile their country. The only thing they'a feared of is a white man's sickness.
Boone Cardell: What's that?
Zeb Calloway: Grabs. White men don't see nothing pretty unless they want to grab it. The more they grab, the more they want to grab. It's like a fever and they can't get cured. The only thing for them to do is to keep on grabbin' until everything belongs to white men and then start grabbin' from each other. I reckon injuns got no reason to love nothing white.

Créditos curiosos
Instead of the traditional RKO morse code sound, the film's opening theme music is played over the RKO radio tower image. Later, a title card is displayed explaining the premise of the story.

Conexiones
Referenced in Pour la peau d'un flic (1981)

Bandas sonoras
Brandy Leave Me Alone
(uncredited)
Written by Josef Marais

Opiniones de usuarios67

Opinión

Opinión destacada

A young Kirk Douglas stands out in this historic recreation of early western river travel

This film is EXCELLENT and is filled with many vivid scenes of the Jackson Hole Valley country. Being shot along the Snake River and within easy sight of the Teton Mountain range it gives an amazingly accurate account of what early Keel Boat travel might have been like along the Missouri River and other Western tributaries. Kirk Douglas (Jim Deakins) is superb as he portrays one of three game hunters, along with Dewey Martin (Boone), and the comic backwoods relief of Arthur Hunicutt (Uncle Zeb). Mr. Hunicutt steals the show with his Southern drawl and folksy way cultivating a feeling for the viewer as being one of the "crew". The use of actual French actors & accents adds to the believable setting of the early 1800s environ and customs of the trappers and mountain men who blazed the trails into the West and survived through trade and co-operation with the Indian tribes who populated it. From using trees along the bank to catapult game down to the Keel boat, to the unforgettable scene where "medical" aid is rendered to Kirk.

Well worth your time and any children should be shown it as well because they'll remember it throughout their lives. I certainly have!