Una colección de interpretaciones animadas de grandes obras de música clásica occidental.Una colección de interpretaciones animadas de grandes obras de música clásica occidental.Una colección de interpretaciones animadas de grandes obras de música clásica occidental.
- Premios
- 8 premios ganados y 1 nominación en total
Corey Burton
- Narrator: Deems Taylor overdubs (2000 restoration)
- (voz)
- (sin créditos)
Walt Disney
- Mickey Mouse (segment 'The Sorcerer's Apprentice')
- (voz)
- (sin créditos)
Hugh Douglas
- Narrator (1982 version)
- (voz)
- (sin créditos)
James MacDonald
- Percussionist
- (sin créditos)
Tim Matheson
- Narrator (1985 version)
- (voz)
- (sin créditos)
Julietta Novis
- Soloist (segment 'Ave Maria')
- (doblaje en canto)
- (sin créditos)
Paul J. Smith
- Violinist
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaDuring production, the animators were given no instructions for coloring. Walt Disney instructed them to use any colors they wanted, which was a first.
- ErroresWhen introducing the "Pastoral" sequence, Deems Taylor mixes Greek and Roman names of deities: Bacchus, Vulcan and Diana are Roman; Zeus, Iris and Morpheus are Greek. Apollo is the only one whose Greek and Roman equivalents have the same name.
- Citas
Mickey Mouse: [Pulling on Stokowski's coat] Mr. Stokowski! Mr. Stokowski!
[Mickey whistles to get Stokowski's attention]
Mickey Mouse: My congratulations, sir!
Leopold Stokowski: [shaking hands with Mickey] Congratulations to you, Mickey!
Mickey Mouse: Gee, thanks! Hehe! Well, so long! I'll be seeing ya!
Leopold Stokowski: Goodbye!
- Créditos curiososThere are no closing credits of any kind. Not even the words "THE END" appear on the screen.
- Versiones alternativasBefore the 1990 re-release, the film was shown with no credits other than the title and the RKO logo. Leopold Stokowski received a written credit only on the posters advertising the film. In the film's original roadshow release, not even the title was shown at the beginning of the film - that was saved for the intermission break.
- ConexionesEdited into A World Is Born (1955)
- Bandas sonorasToccata and Fugue in D Minor, BWV 565
Composed by Johann Sebastian Bach
Orchestrated by Leopold Stokowski (uncredited)
Played by The Philadelphia Orchestra
Conducted by Leopold Stokowski
Opinión destacada
I first remember hearing about this movie when I was very little, and ever since I first watched it on VHS, it has always been one of the many examples of my favorite movies of all time. This is so unique, because unlike a typical Disney movie, in this movie we do not hear any dialog from the characters, and all of the music is instrumental (except for "Ave Maria" at the end). The film is divided into eight sequences, each of them being introduced by a guy named Deems Taylor, who was a very well-known music critique.
The eight segments are as follows:
1.) "Tocatta & Fugue in D-minor" composed by Johanne Sebastian Bach. This segment consists of shots of the Philadelphia Orchestra and their conductor Leopold Stokowski with a lot of cool shadow and color effects during the first three minutes, then we see a lot of shapes and random objects that Taylor would suggest to us might pop into our brains when listening to the music.
2.) "The Nutcracker Suite" composed by Tchaikovsky. In this part of the movie, we listen to excerpts of the famous ballet suite, and we see various fairies, flowers, fish and other nature-related creatures.
3.) Everyone's favorite "The Sorcerer's Apprentice" starring Sorcerer Mickey and Yen Sid (the sorcerer whose name is "Disney" spelled backwards). This is also the only segment to be seen again in this film's sequel, "Fantasia/2000" 60 years later, and in it the apprentice brings to life a magical broomstick to try to fill a cauldron with water, and the spell goes wrong so the apprentice gets reprimanded. This is then followed by Mickey greeting conductor Stokowski.
4.) "Rite of Spring" composed by Igor Stravinsky. This segment takes place billions and billions of years ago with the coming of the dinosaurs, where we see the creation of Earth in the beginning of time, and are later introduced to all of the different dinosaurs including the tyrannosaurus rex, which become extinct in the end of the segment.
5.) "Intermission/Meet the Soundtrack". At this point in the film, Deems Taylor introduces this string thingamajigger called the "Soundtrack" that he asks to make a lot of sounds resembling various instrument sounds.
6.) "Pastoral Symphony No. 6" composed by Beethoven. This segment is about a day in the countryside, and in it we see a lot of Greek mythology creatures like unicorns, satyrs, centaurs and centaurettes, cupids, Bacchus, Zeus, Iris, Apollo and Diana.
7.) "Dance of the Hours". This is where we see dancing ostriches, alligators, elephants and hippos. Each part of the piece suggests different hours of the day, and it all ends with a triumphant finale where the dancing hippo takes center stage.
8.) A combination of two pieces that are utterly different in mood and tone. They are "Night on Bald Mountain" in which a bat villain named Chernabog has Satan's evil spirits dance furiously until the coming of the sacred dawn, and then Franz Schubert's "Ave Maria" which is the one and only part of the whole film in which we hear lyrics sung, and then the movie ends.
I simply must say that not only is this film one of my all time favorite animated masterpieces, but it is also an example of a big highlight of the 1940's in cinematic history, all because of the ways it is so unique and special. In addition to this masterpiece, I also think "The Wizard of Oz", "Gone with the Wind", "Citizen Kane" and "Casablanca" are main icons of cinematic successes. I definitely think this should have been the first animated movie to be nominated for the Best Picture Academy Award instead of "Beauty and the Beast".
The eight segments are as follows:
1.) "Tocatta & Fugue in D-minor" composed by Johanne Sebastian Bach. This segment consists of shots of the Philadelphia Orchestra and their conductor Leopold Stokowski with a lot of cool shadow and color effects during the first three minutes, then we see a lot of shapes and random objects that Taylor would suggest to us might pop into our brains when listening to the music.
2.) "The Nutcracker Suite" composed by Tchaikovsky. In this part of the movie, we listen to excerpts of the famous ballet suite, and we see various fairies, flowers, fish and other nature-related creatures.
3.) Everyone's favorite "The Sorcerer's Apprentice" starring Sorcerer Mickey and Yen Sid (the sorcerer whose name is "Disney" spelled backwards). This is also the only segment to be seen again in this film's sequel, "Fantasia/2000" 60 years later, and in it the apprentice brings to life a magical broomstick to try to fill a cauldron with water, and the spell goes wrong so the apprentice gets reprimanded. This is then followed by Mickey greeting conductor Stokowski.
4.) "Rite of Spring" composed by Igor Stravinsky. This segment takes place billions and billions of years ago with the coming of the dinosaurs, where we see the creation of Earth in the beginning of time, and are later introduced to all of the different dinosaurs including the tyrannosaurus rex, which become extinct in the end of the segment.
5.) "Intermission/Meet the Soundtrack". At this point in the film, Deems Taylor introduces this string thingamajigger called the "Soundtrack" that he asks to make a lot of sounds resembling various instrument sounds.
6.) "Pastoral Symphony No. 6" composed by Beethoven. This segment is about a day in the countryside, and in it we see a lot of Greek mythology creatures like unicorns, satyrs, centaurs and centaurettes, cupids, Bacchus, Zeus, Iris, Apollo and Diana.
7.) "Dance of the Hours". This is where we see dancing ostriches, alligators, elephants and hippos. Each part of the piece suggests different hours of the day, and it all ends with a triumphant finale where the dancing hippo takes center stage.
8.) A combination of two pieces that are utterly different in mood and tone. They are "Night on Bald Mountain" in which a bat villain named Chernabog has Satan's evil spirits dance furiously until the coming of the sacred dawn, and then Franz Schubert's "Ave Maria" which is the one and only part of the whole film in which we hear lyrics sung, and then the movie ends.
I simply must say that not only is this film one of my all time favorite animated masterpieces, but it is also an example of a big highlight of the 1940's in cinematic history, all because of the ways it is so unique and special. In addition to this masterpiece, I also think "The Wizard of Oz", "Gone with the Wind", "Citizen Kane" and "Casablanca" are main icons of cinematic successes. I definitely think this should have been the first animated movie to be nominated for the Best Picture Academy Award instead of "Beauty and the Beast".
- avi-greene2
- 6 jun 2015
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 2,280,000 (estimado)
- Total en EE. UU. y Canadá
- USD 76,408,097
- Fin de semana de estreno en EE. UU. y Canadá
- USD 980,798
- 10 feb 1985
- Total a nivel mundial
- USD 76,411,819
- Tiempo de ejecución2 horas 4 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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