Zangiku monogatari

1939
Not Rated
2h 23min

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El hijo adoptivo de un actor legendario quiere convertirse también en una estrella y se acerca a la nodriza de su hermano pequeño en busca de apoyo y afecto. Ella renunciará a todo por la gl... Leer todoEl hijo adoptivo de un actor legendario quiere convertirse también en una estrella y se acerca a la nodriza de su hermano pequeño en busca de apoyo y afecto. Ella renunciará a todo por la gloria de su amado.El hijo adoptivo de un actor legendario quiere convertirse también en una estrella y se acerca a la nodriza de su hermano pequeño en busca de apoyo y afecto. Ella renunciará a todo por la gloria de su amado.

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7.8/10

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Premios
- 1 premio ganado en total

Trivia
This film is said by critics and scholars to epitomize the "one scene = one long shot" aesthetic of director Kenji Mizoguchi. In fact, there are many scenes that have no internal cuts, and the entire film contains almost no close-ups.

Errores
Otoku is a wet nurse but there is no mention of her having had a child (or having been pregnant).

Citas
Kikunosuke Onoue: I've never been as happy as I was the other night. People always flatter me to my face, then happily ridicule me behind my back. You're the first to speak to me with real warmth and sincerity.
Otoku: To hear that it pleased you so makes me so very happy.
Kikunosuke Onoue: Those geisha and other women make a fuss over me only because I'm Kikugoro's son. They couldn't care less about my acting. If I gave up my place as Kikugoro's heir, nobody would give a damn about me. I've been so lonely. When you spoke to me the way you did, for the first time in my life I felt a happiness that touched me deeply. It was like climbing a mountain pass on a hot summer's day and drinking from a cold stream.

Conexiones
Referenced in Aru eiga-kantoku no shôgai (1975)

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Opinión

Opinión destacada

10/10

Mizoguchi's groundbreaking tour de force.

A towering achievement, a tour de force of cinematic magic. A film that was ahead of it's time just as Jean Renoir and Orson Welles those years... The beautiful very long takes, one after another with elegance, emotions, and not a single close-up take, were something never seen before 1939. One of the greatest and most groundbreaking films ever made.

It's just a shame that this film is not famous, even in the expert cannon. The first decade of Mizoguchi as a filmmaker is overlooked. If you love cinema do yourself a favour and see this film.