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Agrega una trama en tu idiomaThe adventures of Robert of Nottingham, the son of Robin Hood.The adventures of Robert of Nottingham, the son of Robin Hood.The adventures of Robert of Nottingham, the son of Robin Hood.
Mark Roberts
- Robin Hood's Man
- (as Robert E. Scott)
Ted Allan
- Captain of the watch
- (sin créditos)
Paul Bradley
- Nobleman
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaThe great Ralph Faulkner, fencing master and fight coordinator on most of the great Hollywood swashbucklers of the 1930s and 1940s, here doubles Henry Daniell in the climactic duel scene, much as he had done six years earlier in El halcón de los mares (1940), when Daniell (described as "completely helpless" in a memo to Hal B. Wallis, because he couldn't handle a sword) had to fight Errol Flynn.
- ErroresThe Regent withdraws the Magna Carta and, when the nobles agree, the Earl of Huntington (the former Robin Hood) vows to fight him and maintain the people's right to rule themselves. In fact, the Magna Carta didn't create a democracy, it was forced upon King John by the nobles to guarantee the rights and establish the political power of the nobles, not the people. The nobles would never have let the Regent withdraw the Magna Carta and strip them of their power.
- Citas
Fitz-Herbert: This is most unfortunate, my lord. Strangers in the castle!
- ConexionesEdited into El temible Robin Hood (1950)
Opinión destacada
Columbia Pictures reportedly spent about $1 million on this fairly robust entertainment, chronicling the adventures of Robert of Huntington (American star Cornel Wilde), the son of the legendary Robin Hood (Russell Hicks). It's 20 years since Hood Sr.'s adventures, and there's a new tyrant to deal with, the nefarious William of Pembroke (ever-reliable Henry Daniell). This piece of work wants to murder the current boy-king (Maurice Tauzin) and become king himself. But Robin still associates with his legendary Merrie-Men, and is soon joined by Robert, who's just as adept at handling swords and bows & arrows.
A first-rate cast (Jill Esmond as the queen, Anita Louise as Roberts' love interest Lady Catherine, Edgar Buchanan as Friar Tuck, George Macready as Fitz-Herbert, Ray Teal as Little John, etc.) helps to make this very pleasant if nothing altogether special. While there is enough violence on hand, very little of it is actually bloody, and the action is well-executed. The music is by Hugo Friedhofer, who'd worked on the very popular Errol Flynn Robin Hood movie, and it's appropriately rousing. The athletic and charismatic Wilde is a fine choice for the dashing lead, who has a sense of humour and a very confident attitude. Daniell is, as always, a perfect movie villain. You only have to know him briefly to know that he's pure evil. But what really makes the difference is the fact that Columbia shot this in Technicolor, which gives the adventure a degree of freshness. Some of the colours just pop off the screen.
Screenplay credited to Wilfrid H. Pettitt & Melvin Levy, based on a story by Paul A. Castleton & Pettitt and a novel by Castleton. Henry Levin and George Sherman share director credit, but maintain an effective unity of vision.
Six out of 10.
A first-rate cast (Jill Esmond as the queen, Anita Louise as Roberts' love interest Lady Catherine, Edgar Buchanan as Friar Tuck, George Macready as Fitz-Herbert, Ray Teal as Little John, etc.) helps to make this very pleasant if nothing altogether special. While there is enough violence on hand, very little of it is actually bloody, and the action is well-executed. The music is by Hugo Friedhofer, who'd worked on the very popular Errol Flynn Robin Hood movie, and it's appropriately rousing. The athletic and charismatic Wilde is a fine choice for the dashing lead, who has a sense of humour and a very confident attitude. Daniell is, as always, a perfect movie villain. You only have to know him briefly to know that he's pure evil. But what really makes the difference is the fact that Columbia shot this in Technicolor, which gives the adventure a degree of freshness. Some of the colours just pop off the screen.
Screenplay credited to Wilfrid H. Pettitt & Melvin Levy, based on a story by Paul A. Castleton & Pettitt and a novel by Castleton. Henry Levin and George Sherman share director credit, but maintain an effective unity of vision.
Six out of 10.
- Hey_Sweden
- 4 jul 2020
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Bandit of Sherwood Forest
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 1,000,000 (estimado)
- Tiempo de ejecución1 hora 26 minutos
- Relación de aspecto
- 1.37 : 1
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By what name was El hijo de Robin Hood (1946) officially released in India in English?
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