Skal vi vædde en million?

1932
1h 28min

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Agrega una trama en tu idiomaWhen the wealthy Consul General Winterfeld discovers that his son Jørgen is in love with the raven girl Aurora, he is not happy. Instead of giving Jørgen money for a wedding, Winterfeld inst... Leer todoWhen the wealthy Consul General Winterfeld discovers that his son Jørgen is in love with the raven girl Aurora, he is not happy. Instead of giving Jørgen money for a wedding, Winterfeld instead suggests a bet: If Jørgen can go a month without arguing with Aurora, he will get a mi... Leer todoWhen the wealthy Consul General Winterfeld discovers that his son Jørgen is in love with the raven girl Aurora, he is not happy. Instead of giving Jørgen money for a wedding, Winterfeld instead suggests a bet: If Jørgen can go a month without arguing with Aurora, he will get a million. If not, his father will be allowed to find him a more suitable party.

Dirección
- George Schnéevoigt
Guionistas
- Fleming Lynge
- Paul Sarauw
Elenco

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6.1/10

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Dirección
- George Schnéevoigt
Guionistas
- Fleming Lynge
- Paul Sarauw
Elenco

1Opinión de los usuarios

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Trivia
In the original script written by Fleming Lynge and Paul Sarauw, the month of the bet was October, but, possibly because the film's release was set for March 1st, it was changed in the film to the month of March. The original script does not include the songs, which were written separately by Kai Normann Andersen, and there are a few small situations lasting mere seconds that have been changed, must mostly the film is a word for word adaptation of Lynge and Sarauw's script.

Conexiones
Edited into Eventyret om dansk film 4: Fra stumfilm til tonefilm - 1923-1932 (1996)

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Opinión

Opinión destacada

8/10

Romantic intrigues with music and surprises

A very young and fresh Marguerite Viby in her very first talking film. The film has a traditional romantic plot: A rich man bets 1 million, with his son, that the "simple" choir-girl Aurora and the son, can stay together for a month, without any arguments whatsoever. Some surprising jealousy tricks are used from both camps. And that fact, plus Kai Normann Andersen's important work with the songs, that became evergreens, makes the film worth seeing even today.