CALIFICACIÓN DE IMDb
6.4/10
621
TU CALIFICACIÓN
Agrega una trama en tu idiomaAn innocent man accused of robbing banks masquerades as a bullfighter to escape the police.An innocent man accused of robbing banks masquerades as a bullfighter to escape the police.An innocent man accused of robbing banks masquerades as a bullfighter to escape the police.
Robert Emmett O'Connor
- Detective Crawford
- (as Robert Emmet O'Connor)
Paul Porcasi
- Gonzales
- (as Paul Porcassi)
Jean Allen
- Goldwyn Girl
- (sin créditos)
Francisco Alonso
- Toreador
- (sin créditos)
Loretta Andrews
- Goldwyn Girl
- (sin créditos)
Consuelo Baker
- Goldwyn Girl
- (sin créditos)
Betty Bassett
- Goldwyn Girl
- (sin créditos)
Diane Bourget
- Goldwyn Girl
- (sin créditos)
Harry C. Bradley
- Man in Line at Mexican Border
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaFilm debuts of Jane Wyman, Donna Mae Roberts and Jean Allen.
- Citas
Eddie Williams aka Don Sebastian II: [after Rosalie drops the key down her dress] ...the key to the whole situation somewhere between Tijuana and the border!
- Versiones alternativasSome existing prints have the opening titles on a simple black background, and the whole swimming pool sequence of the opening number on the first reel is cut.
- ConexionesFeatured in London Entertains (1951)
- Bandas sonorasBut We Must Rise (The College Song)
(1932) (uncredited)
Music and Lyrics by Harry Ruby and Bert Kalmar
Sung and Danced by The Goldwyn Girls, including Betty Grable, Toby Wing and Paulette Goddard
Opinión destacada
Being made between the funny and entertaining 'Palmy Days' and the very funny and very entertaining 'Roman Scandals', you'd expect this to be something special but it's not. It's got the silliness, the songs, the Busby Berkeley routines, the Goldwyn girls and Eddie Cantor doing what he always does but it just doesn't gel together.
It's not a bad film but it's massively disappointing compared with his previous and subsequent films. What's different is the writing. Roman Scandals benefitted from being written by George Kaufman, one of the main writers for The Marx Brothers and Cantor himself co-wrote'Palmy Days'. W A McGuire (who also worked on the script for Roman Scandals) on his own doesn't quite cut the mustard with this. It comes across as extremely childish but of a quality that would be instantly rejected by any self-respecting children's tv station. If you've never seen an Eddie Cantor film, don't make this one your first or you will never watch another.
Like with the more edgy and cynical Marx Brothers movies, plots in Eddie Cantor films are meant to be completely stupid but this one is so ridiculous that it's just irritating. It also lacks any warmth or empathy with the characters primarily because the supporting actors are so utterly terrible - all of them - they're awful. I know Leo McCarey's directorial style was very relaxed but he seemed to have slept through this one.
On a positive note, it does have a lot of Toby Wing - she was the ridiculously pretty chorus girl who appeared uncredited in loads of early 30s musicals. One wonders why she never became a star. The other positive is that this isn't 'Whoopee', Cantor's first film - that is unwatchably awful.
It's not a bad film but it's massively disappointing compared with his previous and subsequent films. What's different is the writing. Roman Scandals benefitted from being written by George Kaufman, one of the main writers for The Marx Brothers and Cantor himself co-wrote'Palmy Days'. W A McGuire (who also worked on the script for Roman Scandals) on his own doesn't quite cut the mustard with this. It comes across as extremely childish but of a quality that would be instantly rejected by any self-respecting children's tv station. If you've never seen an Eddie Cantor film, don't make this one your first or you will never watch another.
Like with the more edgy and cynical Marx Brothers movies, plots in Eddie Cantor films are meant to be completely stupid but this one is so ridiculous that it's just irritating. It also lacks any warmth or empathy with the characters primarily because the supporting actors are so utterly terrible - all of them - they're awful. I know Leo McCarey's directorial style was very relaxed but he seemed to have slept through this one.
On a positive note, it does have a lot of Toby Wing - she was the ridiculously pretty chorus girl who appeared uncredited in loads of early 30s musicals. One wonders why she never became a star. The other positive is that this isn't 'Whoopee', Cantor's first film - that is unwatchably awful.
- 1930s_Time_Machine
- 6 dic 2022
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Tiempo de ejecución1 hora 36 minutos
- Color
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the Spanish language plot outline for Torero a la fuerza (1932)?
Responda