The Skin Game

... but it is an adequate way to explain the dynamic for Americans.

Alfred Hitchcock directs this adaptation of John Galsworthy's play. The moneyed, cultured Hillcrists battle against the nouveau riche Hornblowers, the latter headed by the ambitious, combative patriarch (Edmund Gwenn). Their squabbles over the use of farm land for industrial purposes ends up causing heartache and tragedy for both families. Featuring C. V. France, Helen Haye, and Jill Esmond as the Hillcrists, and John Longden, Phyllis Konstam, and Frank Lawton as the other Hornblowers. With Herbert Ross, Dora Gregory, and Edward Chapman.

This had already been filmed (also with Gwenn) in 1921. The class-conscious storyline resonated well with the British, I suppose. Gwenn plays his role big, and is a stark contrast to his later, best-known Kris Kringle role in Miracle on 34th Street. Jill Esmond, the first wife of Laurence Olivier and originally the bigger star in the marriage, has one of her better film roles. As for Hitchcock's direction, the only stand-out scene is a lengthy auction with a lot of rapid-cut edits.