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6.8/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaThis send-up of ragtime song and dance begins in 1915 San Francisco when society boy Roger Grant decides to pursue popular rather than serious music.This send-up of ragtime song and dance begins in 1915 San Francisco when society boy Roger Grant decides to pursue popular rather than serious music.This send-up of ragtime song and dance begins in 1915 San Francisco when society boy Roger Grant decides to pursue popular rather than serious music.
- Ganó 1 premio Óscar
- 1 premio ganado y 6 nominaciones en total
Argumento
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- TriviaDue to Motion Picture Production Code which was enforced between 1934 and 1968, this film's content was subject to rigid censorship. In her autobiography, Ethel Merman said that the original lyrics to "Heat Wave": "She started a heat wave by letting her seat wave" was changed for the movie to "She started a heat wave by letting her feet wave."
- ErroresAlexander returns from World War I after it ended, which occurred in late 1918. Even allowing for a year or two's delay, the women he meets upon his return are wearing clothing from the wrong era - they are immediately dressed in late 1930s fashions (appropriate for the year the film was released) instead of the lower hemlines and low (close to the face) hat styles of the early '20s. Hemlines didn't rise to just below the knee until the mid '20s, and women's body silhouettes were mannish, with the bust and waistline de-emphasized, unlike the fitted suit worn by Alice Faye when she sees Alexander upon his return.
- Citas
Stella Kirby: You haven't left me with a word to say.
Charlie Dwyer: That's good. People talk too much anyway.
- Créditos curiososThe music that Tyrone Power "conducts" during the film's opening credits is the song "Marching Along With Time", which was ultimately cut from the film. The song, however, as sung by Ethel Merman, has survived as an outtake and can be seen as an extra feature on the DVD.
- ConexionesFeatured in 20th Century-Fox: The First 50 Years (1997)
- Bandas sonorasAlexander's Ragtime Band
(1911) (uncredited)
Written by Irving Berlin
Performed by Alice Faye with Tyrone Power on violin, Don Ameche on piano,
Jack Haley on drums, and others
Reprised by Alice Faye at the end
Snippets played in the score throughout
Opinión destacada
For viewers who like Irving Berlin music, this is a film to watch. His songs are really the main attraction. But the story, which encompasses a group of musicians and their career changes, has an interesting series of romantic plot twists that is intriguing.
The main character is Roger (Tyrone Power), a man who starts his career in a highbrow musical setting, but changes to more popular ragtime. The story is fictional, but Roger's character arc is inspired by the life of Irving Berlin.
A big-budget film that was in production for almost two years, "Alexander's Ragtime Band" received a huge promotional build-up in 1938. And it was well received by audiences. Sets are lavish. B&W cinematography is competent. Casting and acting are acceptable overall. However, Tyrone Power is the only major actor who lacks musical talent, and it shows. Both Don Ameche and Jack Haley add luster. Alice Faye is adequate.
The film is less constricted by plot than other musicals. But there's still a lot of dialogue. And, except for the title song and a quick version of "Easter Parade", the music is somewhat bland and uninteresting. I would have preferred more evocative music. The film's tone ranges from semi-bawdy to mushy romanticism.
This is a large-scale, Americana period piece film, with an accent on the music of Irving Berlin. It is old fashioned, both in plot and in style. It's technically well made. But to me it's too removed in time from current culture to be anything other than historically quaint.
The main character is Roger (Tyrone Power), a man who starts his career in a highbrow musical setting, but changes to more popular ragtime. The story is fictional, but Roger's character arc is inspired by the life of Irving Berlin.
A big-budget film that was in production for almost two years, "Alexander's Ragtime Band" received a huge promotional build-up in 1938. And it was well received by audiences. Sets are lavish. B&W cinematography is competent. Casting and acting are acceptable overall. However, Tyrone Power is the only major actor who lacks musical talent, and it shows. Both Don Ameche and Jack Haley add luster. Alice Faye is adequate.
The film is less constricted by plot than other musicals. But there's still a lot of dialogue. And, except for the title song and a quick version of "Easter Parade", the music is somewhat bland and uninteresting. I would have preferred more evocative music. The film's tone ranges from semi-bawdy to mushy romanticism.
This is a large-scale, Americana period piece film, with an accent on the music of Irving Berlin. It is old fashioned, both in plot and in style. It's technically well made. But to me it's too removed in time from current culture to be anything other than historically quaint.
- Lechuguilla
- 21 jul 2009
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Alexander's Ragtime Band
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,000,000 (estimado)
- Tiempo de ejecución1 hora 46 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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