Los amores trágicos de Stella Parish

Título original: I Found Stella Parish

1935
Approved
1h 25min

CALIFICACIÓN DE IMDb

6.7/10

583

TU CALIFICACIÓN

Kay Francis, Ian Hunter, Sybil Jason, and Paul Lukas in Los amores trágicos de Stella Parish (1935)

A theatrical star abruptly leaves England to escape her secret past, while a newspaper reporter follows her trail to America to get the scoop.

Reproducir trailer2:43

1 video

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Drama Romance

Agrega una trama en tu idiomaA theatrical star abruptly leaves England to escape her secret past, while a newspaper reporter follows her trail to America to get the scoop.A theatrical star abruptly leaves England to escape her secret past, while a newspaper reporter follows her trail to America to get the scoop.A theatrical star abruptly leaves England to escape her secret past, while a newspaper reporter follows her trail to America to get the scoop.

Dirección
- Mervyn LeRoy
Guionistas
- Casey Robinson
- John Monk Saunders
Elenco

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

6.7/10

583

TU CALIFICACIÓN

Dirección
- Mervyn LeRoy
Guionistas
- Casey Robinson
- John Monk Saunders
Elenco

Ver la información de producción en IMDbPro

Chuck
(as Joseph Sawyer)

Walter Kingsford

Reeves

Harry Beresford

James

Robert Strange

Jed Duffy

Harry Allen

Driver to Steamship
(sin créditos)

Brandon Beach

Theatre Patron
(sin créditos)

William A. Boardway

Theatre Patron
(sin créditos)

Ward Bond

Roman Soldier in Play
(sin créditos)

Harlan Briggs

Theater Manager
(sin créditos)

Elsa Buchanan

Stella's Maid
(sin créditos)

Francis X. Bushman Jr.

Erik in Play
(sin créditos)

Dirección
- Mervyn LeRoy
Guionistas
- Casey Robinson
- John Monk Saunders
Todo el elenco y el equipo
Producción, taquilla y más en IMDbPro

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Argumento

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Trivia
There was a widely-held belief that a young man in a wig and period costume appearing in a scene with Kay Francis in "I Found Stella Parish" was a young Errol Flynn. This was the chained male prisoner standing to the left of an all-white-clad Kay Francis on stage as she is giving her act IV speech near play finale. As reported by Rudy Behlmer in the March 1970 issue of "Films in Review" the writer and his collaborators, Clifford McCarthy and Tony Thomas, concluded that the Flynn lookalike was actually Ralph Bushman (a.k.a. Francis X. Bushman Jr.).

Errores
When Stella and Nana enter the apartment to Gloria and Uncle Keith playing Little Red Riding Hood, Stella walks past the parlor curtain twice.

Citas
Gloria Parish: Am I a wonderful actress like you?
Stella Parish, an alias of Elsa Jeffords, aka Aunt Lumilla Evans: Wonderful's a pretty big word for a little girl like you, but I think you'll do.
Gloria Parish: When I grow up, will I be a wonderful actress?
Stella Parish, an alias of Elsa Jeffords, aka Aunt Lumilla Evans: If you work hard, perhaps. Do you want to be?
Gloria Parish: Rather! I'd like that better than anything. Don't you, Mommy?
Stella Parish, an alias of Elsa Jeffords, aka Aunt Lumilla Evans: You know what I like better than anything, better than the best roles I've ever had, better than the theaters and all the people in them, better than anything in this whole wide world, don't you?
Gloria Parish: Yes, Mommy, I do. It's Nana.
Stella Parish, an alias of Elsa Jeffords, aka Aunt Lumilla Evans: No.
Gloria Parish: Maybe Elizabeth?
Stella Parish, an alias of Elsa Jeffords, aka Aunt Lumilla Evans: Yes, I guess that's who it is.
Gloria Parish: No, Mommy, it isn't! It's me!
Stella Parish, an alias of Elsa Jeffords, aka Aunt Lumilla Evans: Of course it's you, my sweet.

Conexiones
Featured in Comet Over Broadway (1938)

Bandas sonoras
The Pig and the Cow (and the Dog and Cat)
(1935) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played by Kay Francis on the piano
Sung by Sybil Jason

Opiniones de usuarios22

Opinión

Opinión destacada

7/10

Kay at her peak

Super melodramatic sudser with Kay suffering and suffering and suffering and the audience suspending disbelief. If you can do that you'll enjoy this exercise in excess.

Kay is as usual dressed in high fashion throughout. A kaleidescope of 30's fashion, which was what the public expected from a Kay Francis vehicle at the time and it's easy to see why. Due to her height, slenderness and perfect posture she's able to carry off even the most exaggerated clothes. However the clothes only take the film so far and the story that it's pegged on is the usual preposterousness that was also a regular component her films. Supported by a good cast, although Ian Hunter is rather stiff as the male lead, Kay plays one ridiculous situation after another with complete conviction. This was one of her biggest hits.