CALIFICACIÓN DE IMDb
6.7/10
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TU CALIFICACIÓN
Un matrimonio recibe una pista sobre un inminente asesinato, y descubre que su hija ha sido secuestrada para mantenerles en silencio.Un matrimonio recibe una pista sobre un inminente asesinato, y descubre que su hija ha sido secuestrada para mantenerles en silencio.Un matrimonio recibe una pista sobre un inminente asesinato, y descubre que su hija ha sido secuestrada para mantenerles en silencio.
- Premios
- 1 premio ganado y 1 nominación en total
D.A. Clarke-Smith
- Binstead
- (as D.A. Clarke Smith)
Frank Atkinson
- Policeman Shot Behind Mattress
- (sin créditos)
Betty Baskcomb
- Lawrence's Maid
- (sin créditos)
Cot D'Ordan
- Concierge
- (sin créditos)
Tony De Lungo
- Hotel Manager
- (sin créditos)
Clare Greet
- Mrs. Brockett
- (sin créditos)
Pat Hagan
- Policeman at Siege
- (sin créditos)
Joan Harrison
- Secretary
- (sin créditos)
Edward A. Hill-Mitchelson
- Minor Role
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaWhen Peter Lorre arrived in Great Britain, his first meeting with a British director was with Sir Alfred Hitchcock. By smiling and laughing as Hitchcock talked, the director was unaware that Lorre, a Hungarian, had a limited command of the English language. Hitchcock subsequently decided to cast Lorre in this movie, and the young actor learned much of his part phonetically.
- Errores(at around 21 mins) When Bob Lawrence and his daughter exit the chalet porch to watch the trap shoot, Bob pushes the left door outwards. When the camera cuts to an outside view of their leaving the building, it's the other door that is swinging shut, and it is closing from the inside.
- ConexionesEdited into 365 days, also known as a Year (2019)
- Bandas sonorasStorm Clouds Cantata
(1934) (uncredited)
Music by Arthur Benjamin
Words by D.B. Wyndham-Lewis
Performed by London Symphony Orchestra
Under the direction of H. Wynn Reeves
Opinión destacada
Whilst on holiday in Switzerland to compete in winter sports the Lawrence family inadvertently meet a spy who is killed in front of them. He passes information to them relating to an assassination but, before they can pass on the information their daughter is kidnapped for their silence. Back in London they decide to start looking for the kidnappers and prevent the assassination themselves.
Hitchcock's strength here is that an wholly unlikely plot which is full of holes is masked by a sense of wit and good feeling that covers the flaws. The whole thing falls down under scrutiny and as a thriller it doesn't really cut it as well as I'd hoped it certainly doesn't compare to The 39 Steps. However the film is very classy and very, very British.
I expect to American audiences nowadays that the very polite gentleman like approach of the film is very strange but it works quite well. The final shoot out lacks excitement simply because it is unrealistic in the extreme but it's still quite enjoyable and has it's moments. Lorre is good as the villain but lacks the smarmy qualities he brought to later films. Leslie Banks is very good as the solid British hero and Best is good as his sassy (if underused) wife. Wakefield has a good comedy role as Banks' side kick.
Overall the age of the film means it feels very stagy and very stiff but there's still much to enjoy with good settings, comedy and vintage Hitchcockian touches.
Hitchcock's strength here is that an wholly unlikely plot which is full of holes is masked by a sense of wit and good feeling that covers the flaws. The whole thing falls down under scrutiny and as a thriller it doesn't really cut it as well as I'd hoped it certainly doesn't compare to The 39 Steps. However the film is very classy and very, very British.
I expect to American audiences nowadays that the very polite gentleman like approach of the film is very strange but it works quite well. The final shoot out lacks excitement simply because it is unrealistic in the extreme but it's still quite enjoyable and has it's moments. Lorre is good as the villain but lacks the smarmy qualities he brought to later films. Leslie Banks is very good as the solid British hero and Best is good as his sassy (if underused) wife. Wakefield has a good comedy role as Banks' side kick.
Overall the age of the film means it feels very stagy and very stiff but there's still much to enjoy with good settings, comedy and vintage Hitchcockian touches.
- bob the moo
- 22 jul 2002
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- The Man Who Knew Too Much
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- GBP 40,000 (estimado)
- Total a nivel mundial
- USD 149
- Tiempo de ejecución1 hora 15 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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What is the Hindi language plot outline for El hombre que sabía demasiado (1934)?
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