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TU CALIFICACIÓN
Agrega una trama en tu idiomaHarold "Speedy" Swift, a fan of Babe Ruth and the New York Yankees, saves from extinction the city's last horse-drawn trolley, operated by his girlfriend's grandfather.Harold "Speedy" Swift, a fan of Babe Ruth and the New York Yankees, saves from extinction the city's last horse-drawn trolley, operated by his girlfriend's grandfather.Harold "Speedy" Swift, a fan of Babe Ruth and the New York Yankees, saves from extinction the city's last horse-drawn trolley, operated by his girlfriend's grandfather.
- Nominado a 1 premio Óscar
- 1 premio ganado y 1 nominación en total
Ernie Adams
- Coney Island Baseball Concessionaire
- (sin créditos)
James Bradbury Jr.
- Chauffeur
- (sin créditos)
Edna Mae Cooper
- Undetermined Secondary Role
- (sin créditos)
Josephine Crowell
- Lady in Car
- (sin créditos)
Andy De Villa
- Traffic Cop
- (sin créditos)
Jimmy Dime
- Tough
- (sin créditos)
Bobby Dunn
- Tough
- (sin créditos)
Herbert Evans
- Restaurant Manager
- (sin créditos)
Lou Gehrig
- Lou Gehrig
- (sin créditos)
Dick Gilbert
- Tough Guy
- (sin créditos)
Tommy Hicks
- Fat Kid on Subway
- (sin créditos)
Argumento
¿Sabías que…?
- TriviaDuring the Coney Island magic mirror scene, Harold Lloyd gives the middle finger to his reflection in the mirror. This obscene gesture was permitted by censors in motion pictures prior to the enforcement of the draconian Hays Code in 1934 and can be seen in a number of other contemporary films such as Alfred Hitchcock's El cuadrilátero (1927), by Dick Dix in The Lost Squadron (1932), and by Bette Davis (to Douglas Fairbanks Jr) in El diablo del paracaídas (1933).
- ErroresIn several early scenes the box score to the Yankee game is shown to keep fans and customers up to date. The Yankees were said to be playing a home game. Therefore, the Yankees should be shown on the bottom of the box score, not on top, as shown in the film.
- Versiones alternativasIn 1992, The Harold Lloyd Trust and Photoplay Productions presented a 85-minute version of this film in association with Thames Television International and Channel Four, with a musical score written by Carl Davis. The addition of modern credits stretched the time to 86 minutes.
- ConexionesFeatured in Calendar: Episode dated 16 April 1962 (1962)
- Bandas sonorasSpeedy Boy
Written by Jesse Greer and Raymond Klages
Opinión destacada
Besides providing plenty of entertainment from Harold Lloyd and the rest of the cast, this silent comedy classic is also quite enjoyable as a time capsule from 1920s New York, with wonderful footage of Coney Island and other sights, plus the amusing appearance by Babe Ruth. Even more so than most movies of its era, it gives you a very good feel for its time and place.
The plot has Lloyd, as perpetual job-seeker and job-loser "Speedy", trying to save the city's last horse-drawn streetcar, which is driven by the father of his girlfriend. The David-vs.-Goliath conflict gives Lloyd a lot to work with, and it is used to good effect both for gags and for character development. There are a number of good sequences, including a hilarious and detailed street donnybrook between the transport company's hired goons and Lloyd's ragtag neighborhood stalwarts.
The lengthy digressions from the main story also work very well. The taxicab sequence with Ruth is probably the best-remembered, and there is also a delightful sequence at Coney Island's Luna Park. Ann Christy and Lloyd work together well, and they make an especially pleasant and sympathetic couple in this sequence.
"Speedy" is a good showcase for Lloyd, since it combines action sequences that advance the story with other sequences that simply entertain and give you a feel for the characters. Overall, it has quite a lot to recommend it.
The plot has Lloyd, as perpetual job-seeker and job-loser "Speedy", trying to save the city's last horse-drawn streetcar, which is driven by the father of his girlfriend. The David-vs.-Goliath conflict gives Lloyd a lot to work with, and it is used to good effect both for gags and for character development. There are a number of good sequences, including a hilarious and detailed street donnybrook between the transport company's hired goons and Lloyd's ragtag neighborhood stalwarts.
The lengthy digressions from the main story also work very well. The taxicab sequence with Ruth is probably the best-remembered, and there is also a delightful sequence at Coney Island's Luna Park. Ann Christy and Lloyd work together well, and they make an especially pleasant and sympathetic couple in this sequence.
"Speedy" is a good showcase for Lloyd, since it combines action sequences that advance the story with other sequences that simply entertain and give you a feel for the characters. Overall, it has quite a lot to recommend it.
- Snow Leopard
- 11 dic 2005
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- How long is Speedy?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 25 minutos
- Color
- Mezcla de sonido
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By what name was Speedy (1928) officially released in India in English?
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