Bardelys the Magnificent

1926
Passed
1h 30min

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En el reinado de Luis XIII, el encantador libertino Marqués de Bardelys se enamora de Roxalanne de Lavedan. Enmedio de intrigas, la corteja, seduciendo a la belleza a pesar del entorno astut... Leer todoEn el reinado de Luis XIII, el encantador libertino Marqués de Bardelys se enamora de Roxalanne de Lavedan. Enmedio de intrigas, la corteja, seduciendo a la belleza a pesar del entorno astuto.En el reinado de Luis XIII, el encantador libertino Marqués de Bardelys se enamora de Roxalanne de Lavedan. Enmedio de intrigas, la corteja, seduciendo a la belleza a pesar del entorno astuto.

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7.1/10

1.3 k

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Premios
- 3 premios ganados en total

Fotos26

+ 20

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Argumento

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Trivia
For decades, Bardelys the Magnificent (1926) was presumed lost. The one tantalizing glimpse of the film was in King Vidor's spoof of movie stardom, Show People (1928), when Marion Davies' movie-mad character watches it in a theater and swoons over the willows love scene. But in 2006, a nearly complete print was found in France. Bardelys was restored despite the print missing reel 3, but the absent passages have been reconstructed with shots liberated from the film's trailer, excellent production scene stills and a studio continuity script.

Errores
In one long shot of the king's procession, overhead utility lines are visible.

Citas
Bardelys: - - your hair is like a jealous cloud that veils the beauty of the moon -...

Conexiones
Featured in Show People (1928)

Opiniones de usuarios18

Opinión

Opinión destacada

Silent Swashbuckler.

Well first of all, M. BEAUCAIRE is Booth Tarkington and not Sabatini but it's still a pleasure to see this as an early entry in the MGM Sabatini cycle, along with a couple of Scaramouches, especially when it had been lost for so long. The copy seems incomplete outside the missing reel. Where is Edward Connelly's Cardinal Richelieu? The subject is not a good match with the talents of King Vidor. La BOHEME is a much better film and it appears perverse to have him do it, when Victor Seastrom, one of the originators and masters of the costume movie was on the MGM pay roll.

Vidor gives it good try and seems to have a nice rapport with the leads. Gilbert was at his peak and radiates star power here and Eleanor Boardman is a nice departure from heroines in ringlets. Their relationship makes the piece agreeable and the action climax, while it is sub Fairbanks, is ingeniously staged, making great use of the lances and having some striking downward shots.

This is an agreeable missing piece in the film history jig saw.