As a silent film enthusiast, I'm all for the restoration of old movies especially something as old and and as rare as this Edward S. Curtis film. The fact that it is 100 years old is astonishing. The fact that it it isn't in better condition is, alas, not astonishing at all as that is the fate of the majority of surviving silent films. The funds needed to do a proper restoration are astronomical by arts funding standards and then there's the issue of the material that the restorer has to work with.
IN THE LAND OF THE HEAD HUNTERS (the film's original title) was issued back in the 1970s as IN THE LAND OF THE WAR CANOES. The running time was roughly 45 minutes and this consisted of the best surviving footage from the original feature. It was marketed as a quasi-documentary made more authentic by the use of a Native American soundtrack consisting of authentic voices and instruments plus some water sounds. Milestone issued this DVD back in 1992 and it is included as a bonus with this set.
It turns out that Curtis never intended his movie to be a documentary but rather a traditional feature film just one set in the world of the Kwakiutl Indians of the Pacific Northwest, a world out of their distant past. He hired locals to portray his characters while they built the sets and made and provided the costumes. Curtis then hired composer John J. Braham to provide a complete classical music score with Native American overtones for the film. As this was 1914, it pre-dates BIRTH OF A NATION making it one of the oldest surviving film scores.
IN THE LAND OF THE HEAD HUNTERS (a surefire if somewhat lurid choice for a movie title back then) was to tell an epic story, be shot on location using local actors, and then given the full treatment from a fully composed score to specific color tints for several of the scenes. Not exactly what one would consider a box office winner but this was before Hollywood and the exotic locations plus Curtis' reputation as a still photographer did the trick and the film was a critical success at the time and then completely disappeared.
The recent discovery of the original orchestral score plus footage found in UCLA film archives helped to set this restoration in motion which brings up the following point. The footage of the restored version looks virtually the same as the 1972 version with title cards instead of subtitles which accounts for most of the extra length. The use of stills and the inclusion of badly decomposed footage adds little to the proceedings for me personally although the color tints are nice and it is great to hear the original score. As a silent film lover, I'm glad to have both versions but this time I found the older one more engaging than the newer one...For more reviews visit The Capsule Critic.
