Die zweite Heimat: Chronik einer Jugend
- Serie de TV
- 1992
- 25h 32min
CALIFICACIÓN DE IMDb
8.9/10
375
TU CALIFICACIÓN
Agrega una trama en tu idiomaHermann Simon, an aspiring composer, comes of age in Munich during the troubled 1960s.Hermann Simon, an aspiring composer, comes of age in Munich during the troubled 1960s.Hermann Simon, an aspiring composer, comes of age in Munich during the troubled 1960s.
- Premios
- 6 premios ganados y 1 nominación en total
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Argumento
¿Sabías que…?
- TriviaWith a total running time of 25 hrs 32 min, it holds the Guinness World Record for 'Longest Film Commercially Shown In Its Entirety' as it premiered on theater screens in Munich, Germany in September 1992.
- ErroresTodas las entradas contienen spoilers
- ConexionesEdited into Heimat-Fragmente: Die Frauen (2006)
Opinión destacada
As much as I admire the artistic quality of these 13 films, I still like the original series of 11 "Heimat" films from the 80s even more and I think there's a reason why "Die zweite Heimat" was shown only once on German TV while there have been several reruns of "Heimat". Actually there are 2 reasons:
1) The TV scene in Germany has changed dramatically between 1983 and 1993: the two (+ one local) public channels back then are in competition with more than 15 private channels now. This was not a good thing for the attention span of the audience and the quality of the programming.
2) Apart from this general reason there's a problem with "Die zweite Heimat" itself IMO. Almost all the protagonists are ambitious artists (in various fields like music or film) with a high political awareness. In this sense they form an active avantgarde of Germany's society in the 60s, which is quite in contrast to the mostly passive protagonists of "Heimat", who just react to the turbulent times they live in. Although this gives Edgar Reitz the chance to paint an even more precise and detailed picture (because he was part of this avantgarde and knew people like Clarissa, Juan or Reinhard), it's harder for the viewer to identify with these people. An example: the girl from Detmold (can't remember her name) is on her way to become a left-wing extremist (RAF-terrorist?) long before 'ordinary' people join the APO in 1968. Being so much ahead of your time makes it very hard for your contemporaries (let alone the viewer of the films), to understand your feelings and motivations.
Nevertheless these films belong to the best German films of the 90s and I would love to see them again. If you also like this 'chronicle'-genre let me recommend two other German series made for TV which are nearly just as good IMO and deserve to be better known: "Rote Erde" is about some families who go through the changes in the Ruhr-area mining industry between about 1890 and 1919 (first 9 episodes) resp. 1923 and the 50s (second 4 episodes). "Löwengrube" is about a policeman's family in Munich over three generations in the 20th century (32 episodes).
1) The TV scene in Germany has changed dramatically between 1983 and 1993: the two (+ one local) public channels back then are in competition with more than 15 private channels now. This was not a good thing for the attention span of the audience and the quality of the programming.
2) Apart from this general reason there's a problem with "Die zweite Heimat" itself IMO. Almost all the protagonists are ambitious artists (in various fields like music or film) with a high political awareness. In this sense they form an active avantgarde of Germany's society in the 60s, which is quite in contrast to the mostly passive protagonists of "Heimat", who just react to the turbulent times they live in. Although this gives Edgar Reitz the chance to paint an even more precise and detailed picture (because he was part of this avantgarde and knew people like Clarissa, Juan or Reinhard), it's harder for the viewer to identify with these people. An example: the girl from Detmold (can't remember her name) is on her way to become a left-wing extremist (RAF-terrorist?) long before 'ordinary' people join the APO in 1968. Being so much ahead of your time makes it very hard for your contemporaries (let alone the viewer of the films), to understand your feelings and motivations.
Nevertheless these films belong to the best German films of the 90s and I would love to see them again. If you also like this 'chronicle'-genre let me recommend two other German series made for TV which are nearly just as good IMO and deserve to be better known: "Rote Erde" is about some families who go through the changes in the Ruhr-area mining industry between about 1890 and 1919 (first 9 episodes) resp. 1923 and the 50s (second 4 episodes). "Löwengrube" is about a policeman's family in Munich over three generations in the 20th century (32 episodes).
- ChWasser
- 16 ago 2000
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Heimat II: A Chronicle of a Generation
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- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución25 horas 32 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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By what name was Die zweite Heimat: Chronik einer Jugend (1992) officially released in Canada in English?
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