Agrega una trama en tu idiomaA film director whose life crumbles after the suicide of his Hollywood starlet girlfriend becomes obsessed with a lifelike robot that appears to be her exact duplicate.A film director whose life crumbles after the suicide of his Hollywood starlet girlfriend becomes obsessed with a lifelike robot that appears to be her exact duplicate.A film director whose life crumbles after the suicide of his Hollywood starlet girlfriend becomes obsessed with a lifelike robot that appears to be her exact duplicate.
- Premios
- 3 premios ganados y 3 nominaciones en total
- Drake
- (as Alex Hill)
- Grayson
- (as Aramis Sartorio)
- Brandon
- (as Darrell Dupras)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Argumento
¿Sabías que…?
- TriviaUnknown to himself or the producers, lead actor Richard Hatch was suffering from stage 4 pancreatic cancer during principal photography. Hatch notified director Adrian Stewart of his illness early in 2017. Three days of scheduled re-shoots were canceled as Stewart and the producers quickly assembled a rough cut of the film, which Hatch was able to view before his passing on February 7, 2017. The film is dedicated to Hatch, with the card "In Loving Memory of Our Good Friend Richard Hatch" opening the end credits.
- Citas
Haskell Edwards: It's a show for idiots, Milt. A Rhesus monkey could direct it and never stop jacking himself.
Milton Green: So what does it say that you keep fucking it up?
Haskell Edwards: That I'm a fuckup? Big shock.
Milton Green: You've gotten pretty good at feeling sorry for yourself.
Haskell Edwards: Well, the position was open so I took it.
Milton Green: Cello wouldn't have liked it. And it's Bonobos, by the way.
- Créditos curiososFilmed Under Duress on RED Digital Cinema Cameras (because we couldn't afford Alexa)
- Bandas sonorasLadder Song
Written by Conor Oberst
Performed by Bright Eyes
Published by Songs Music Publishing LLC o/b/o
Bedrooms Bedrooms and Spiders (BMI), Sons of MP (BMI)
The primary cast is exceptional. Richard Hatch in particular. I must admit, I was a fan of his long before this. I feel it is one of his best performances. And as it was his last film, it is one he could be proud of. Granted, I've not often seen him in roles that provided this much opportunity to show his talent. Certainly not to this degree.
There's a B plot which involves an unlikable character, which is. . .well, unlikable. I found the b plot pay off very amusing. It was also well placed, as it followed some rather weighty moments of quiet desperation with Hatch's character, Calvin. In fact, his entire performance, the situation his character finds himself in, and how the director, Adrian Stewart, manages to expose everything Calvin is experiencing. . .
I was quite deliberate in my use of the word "expose." If you have lost someone close to you, there may be recognizable moments here. Director Stewart manages to bring us to a deeper place with Calvin. There's the expected, which is seen externally, but Stewart is hauntingly faithful with what only we see inside. And if you've experienced this, both are like a knife to the heart. Both can bring you to your knees.
I can't speak to what another's reaction might be. All I can say is that this film can feel more personal than most. Some films have scenes described as being "hyper-real." What Stewart does with Diminuendo is color outside of the lines of the Hollywood "hyper-real," resulting in the "real."
There's a particular shot that I would very much like to praise here, but to make note of it may also spoil it.
I'm not so singular that I believe my distinct response to this film at times will be unique. I do see this being a personal, more relatable film experience for many who watch it. Particularly for those who carry someone with them. And eventually. . .don't we all?
- caesius-rex
- 14 may 2020
- Enlace permanente
Selecciones populares
- How long is Diminuendo?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 300,000 (estimado)