Un pequeño grupo de soldados estadounidenses encuentra escenas horroríficas detrás de las líneas enemigas en la víspera del Día D.Un pequeño grupo de soldados estadounidenses encuentra escenas horroríficas detrás de las líneas enemigas en la víspera del Día D.Un pequeño grupo de soldados estadounidenses encuentra escenas horroríficas detrás de las líneas enemigas en la víspera del Día D.
- Premios
- 2 premios ganados y 7 nominaciones en total
Argumento
¿Sabías que…?
- TriviaOverlord's first sequence, which sees the soldiers jumping from a burning plane, was done by rigging a plane on a gimbal, actually blowing up the front, tilting it as if it were actually falling through the air, and sending stuntmen tumbling through real fire.
- ErroresOne of the soldiers uses the term klicks for kilometer. Klicks was not used during WW2 and was not a common term until the Viet Nam War.
- Versiones alternativasAfter the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas.
- ConexionesFeatured in Projector: Overlord (2018)
- Bandas sonorasBridging the Gap
Written by Ansel Collins (as Ansel George Collins), Nas (as Nasir Jones), Winston Riley (as Winston Delano Riley), Dave Barker, Salaam Remi (as Salaam Remi Gibbs), Olu Dara, Muddy Waters (as McKinley Morganfield), Melvin London (as Melvin R. London) and Bo Diddley (as Ellas McDaniels)
Performed by Nas feat. Olu Dara
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Opinión destacada
Overlord is one of those films that starts as one thing but then becomes something else. Following some Allied paratroopers as they land behind enemy lines toward the end of WW2, they come across a small town next to their target - a church with a radio tower on it. With the help of a local family, they must somehow get in there and take it down. However, they soon discover that the building also houses something far worse than Nazi soldiers...
I must say I was genuinely surprised by how good this film actually is. I was expecting the war aspect to be little more than a backdrop to the horror, but even during the build up this actually has a stab at being a decent war film in its own right. Then the horror starts and the film loses none of its intensity, action or pacing. The story is interesting, the characters are believable and the special effects are actually really good. Imagine if the modern Wolfenstein video games were made into a film - that is pretty much what this feels like and I thought it was far better than it has any right to be. Give it a go!
I must say I was genuinely surprised by how good this film actually is. I was expecting the war aspect to be little more than a backdrop to the horror, but even during the build up this actually has a stab at being a decent war film in its own right. Then the horror starts and the film loses none of its intensity, action or pacing. The story is interesting, the characters are believable and the special effects are actually really good. Imagine if the modern Wolfenstein video games were made into a film - that is pretty much what this feels like and I thought it was far better than it has any right to be. Give it a go!
- andyajoflaherty
- 24 abr 2023
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- USD 38,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 21,704,844
- Fin de semana de estreno en EE. UU. y Canadá
- USD 10,202,108
- 11 nov 2018
- Total a nivel mundial
- USD 41,657,844
- Tiempo de ejecución1 hora 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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