Ouija: el origen del mal

Título original: Ouija: Origin of Evil

2016
B
1h 39min

CALIFICACIÓN DE IMDb

6.2/10

78 k

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POPULARIDAD

4,667

Lulu Wilson in Ouija: el origen del mal (2016)

In 1967 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their seance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by a merciless spirit, the family confronts unthinkable fears to save her and send her possessor back to the other side.

Reproducir trailer2:36

34 videos

99+ fotos

Drama Horror Mystery Thriller

Una madre viuda y sus hijas incorporan un nuevo truco para reforzar su negocio de estafas de espiritismo al invitar a una presencia maligna a su hogar, sin darse cuenta de lo peligroso que e... Leer todoUna madre viuda y sus hijas incorporan un nuevo truco para reforzar su negocio de estafas de espiritismo al invitar a una presencia maligna a su hogar, sin darse cuenta de lo peligroso que es.Una madre viuda y sus hijas incorporan un nuevo truco para reforzar su negocio de estafas de espiritismo al invitar a una presencia maligna a su hogar, sin darse cuenta de lo peligroso que es.

Ver la información de producción en IMDbPro

CALIFICACIÓN DE IMDb

6.2/10

78 k

TU CALIFICACIÓN

POPULARIDAD

4,667

Ver la información de producción en IMDbPro

Premios
- 2 premios ganados y 7 nominaciones en total

Videos34

Trailer 2:34

Official Trailer

Clip 0:49

How Doris Talks To Daddy

Clip 0:50

Take Her Voice Instead

Clip 1:02

Father Tom Explains His Theory

Clip 1:30

What Its Like To Be Strangled

Fotos107

+ 102

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Lista

Argumento

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Trivia
The film was shot digitally, but director and editor Mike Flanagan, in order to add a retro feel to the film, added elements in post-production to give the appearance of a movie shot on film. Those include the 'cigarette burns', marks that appear every 20 minutes or so in the upper right corner of the frame, which were used to signal a change of reels for film projected.

Errores
In order to make the film appear more authentic for the time in which it is set (1967), cue marks, or "reel change" marks, are inserted at approximately every 20 minutes. However, the marks are oval when they should actually be circular, since this is a film presented in a 1.85:1 aspect ratio and not in a 2.39:1 aspect ratio. The only time the marks should be oval is if a film is projected with an anamorphic lens. On an anamorphic film print, the cue marks are circular, but the anamorphic lens makes the circle look like an oval when projected on a screen.

Citas
Doris Zander: Wanna hear something cool?
Mikey: Sure.
Doris Zander: Do you know what it feels like to be strangled to death? First, you feel the pressure in your throat. Your eyes water, and you start to taste something very, very sour in your mouth. Then it's like someone lights a match right in the middle of your chest, and that fire grows. It fills your lungs, and your throat, and all the way behind your eyes. And finally, that fire turns to ice; like pins and needles of ice are sticking into your fingers, your toes, your arms. You see stars, then darkness. And the last thing you feel... is cold.
[Mikey looks confused and horrified]
Doris Zander: [smiles] Goodnight, Romeo.

Créditos curiosos
There is a post-credits scene with Lin Shaye.

Conexiones
Featured in FoundFlix: Ouija 2: Origin of Evil (2016) Ending Explained + Connections to the First Film (2016)

Bandas sonoras
You Gotta Move Me
Written by Dennis Michael Lacey
Performed by Mike Lacey
Courtesy of Crucial Music Corporation

Opiniones de usuarios285

Opinión

Opinión destacada

6/10

Better Than It Has Any Right To Be, But Still...

Mike Flanagan just gets so close yet again, yet falls disappointingly short. Oculus is still his best work, and the promise that both Hush and this prequel to a PG-13 board game prequel show, is that if given the right opportunity he might really be capable of a cold-blooded classic.

This is a film that shouldn't exist, should never have gotten theatrical distribution and definitely shouldn't have attracted the likes of Flanagan (okay, he probably did this to increase his clout in the industry, but still). He musters some great work here, following familiar supernatural clichés but bringing his own touch to the proceedings.

The setting is beautiful, the characters likable and not completely square. The atmosphere is given time to build, he luxuriates in teasing and messing with audience expectations (as a way of spiting this, and goosing the audience lulled into a slow burn placation, he includes an explosive scene wherein the actual demon is seen shoving his fist down the little girl's throat. It's both too much and a necessary jolt at the time, a conundrum if ever there was one and a small encapsulation of everything right and wrong within this film).

It's too bad some of the nice work done in the first 2/3rds of the film is undone by a clichéd, boring, exorcism-lite finale. None of it is very scary, and it all has the feel of fitting into the "Ouija" franchise package, whatever in God's name that could mean. Considering the stakes here, what Flanagan does is still impressive.