Shisha no teikoku

Set in an alternate Victorian-era world, The Empire of Corpses introduces a fascinating concept where scientists have discovered how to reanimate corpses for labor. The film starts strong, offering a unique mix of steampunk aesthetics and philosophical musings about life, death, and what it means to be human. Unfortunately, the plot quickly spirals into confusion. It tries to juggle too many themes-philosophy, science fiction, and a detective-style adventure-but ends up doing none of them justice. The pacing is erratic, with a narrative that feels both rushed and dragging at the same time, making it difficult to stay invested.

While the visual design is undeniably impressive, with detailed backgrounds and an eerie atmosphere, the story's execution feels disjointed. The characters lack depth, making it hard for viewers to care about their fates. The film aims to deliver profound messages about the human soul but gets bogged down in convoluted exposition. By the time the film reaches its climax, it feels more like a collection of half-baked ideas rather than a cohesive narrative. Despite its intriguing premise, The Empire of Corpses ultimately fails to deliver a satisfying experience, leaving viewers confused rather than emotionally moved.