[on
Destination Unknown (2017)] I wanted to make a film where the only voices are those of the survivors themselves, to capture something of the intimacy and immediacy I felt when talking with some of them directly. The challenge was to weave those individual voices together in a way that created a wider story, one that explored not only the pain of the Holocaust itself, but the building of new lives afterwards. My overriding question was 'How can you make a life after such pain? [2017]
