[on his affinity to India] It wasn't as though I had a childhood preoccupation with India. It was completely accidental and was based on my seeing Río sagrado (1951) and later on seeing a group of miniature Indian paintings. And then, most important, seeing the films of Ray [Satyajit Ray], the Apu trilogy. That's what really got me started - a combination of things spread out over a period of six or so years.
