It is fitting that Paradise of Thorns is set in a durian orchard. The struggle and pain of each character is like the durian itself, that - if grown right - leads to delicious fruit.
Four characters experience inequality and judgment in different forms as they seek to control the fortunes of a durian orchard and each other. Questions revolve around trust, love, fairness, and differing definitions of "family" in a country that is rapidly redefining itself, as it has done since ancient history.
This emotional and character driven drama brings Thailand to life in its bright colored clothes, ubiquitous pick-up trucks, fragrant durians, festivals, and language ("subai subai," it's all good), wishes, and nicknames (the director's nickname is "boss."). Boss Kuno was present at this international premiere screening at the Toronto International Film Festival. His film asks audiences "to be the voice for the unheard, to help each other, and make this a better place for everyone."
While clunky and awkward at times, I loved the film for its raw emotion, frequently shifting perspectives, its tenderness to each of the characters, its aim to bring people together, and how it reminded me of the beautiful, fun, and fascinating Thai people and countryside.