PUNTUACIÓN EN IMDb
5,8/10
62 mil
TU PUNTUACIÓN
Un zapatero, aburrido de su vida cotidiana, tropieza con una reliquia mágica que le permite convertirse en otras personas y ver el mundo de otra manera.Un zapatero, aburrido de su vida cotidiana, tropieza con una reliquia mágica que le permite convertirse en otras personas y ver el mundo de otra manera.Un zapatero, aburrido de su vida cotidiana, tropieza con una reliquia mágica que le permite convertirse en otras personas y ver el mundo de otra manera.
- Premios
- 3 nominaciones en total
Method Man
- Leon Ludlow
- (as Cliff 'Method Man' Smith)
Adam B. Shapiro
- Schneider
- (as Adam Shapiro)
Argumento
¿Sabías que...?
- CuriosidadesSandler means "cobbler" in Hebrew.
- PifiasWhen Max, as the overweight teen, sees Leon go up in the elevator, it stops on the third floor, but when Max goes upstairs, he (as Leon) exits the staircase on the 4th floor and finds Leon's apartment.
- Citas
Abraham Simkin: It's a privilege to walk in another man's shoes, Max, but it's also a responsibility.
- Versiones alternativasThe scene in which Leon is killed by being stabbed in the neck with a stiletto heel is censored in both the US and UK versions of the film to attain a PG-13 and 12 rating respectively. The version shown at festivals, and the German release, are uncut. In the censored version, blood has been digitally reduced in the medium shots of Leon, and a shot is removed entirely of Leon taking the heel out of his neck as blood runs down his shirt. The UK version makes an additional change to the scene where Leon roughs up a thief; throughout the scene, the blood on the thief's face has been digitally recolored to be darker in order to soften the impact of the scene.
- ConexionesFeatured in Conan: Adam Sandler/Jonathan Banks/Broods (2015)
- Banda sonoraSo Near and Yet So Far
Written by Paul Singerman
Performed by Paul Singerman ft Jan Eisen
Courtesy of Singerman Entertainment
By arrangement with The Talent House
Reseña destacada
Adam Sandler has made an array of dubious movies for several years now, filled with cheap jokes and crude slapstick moments. The Cobbler has significantly different direction than all of those, it brings an odd near magical concept that unexpectedly works. While it also has a couple of flaws like some corny jokes and predictable plot devices, it remains entertaining without forced juvenile moments and delivers genuine laughs.
Story follows Max Simkin (Adam Sandler), a cobbler who finds out that his old apparatus has another magical function other than fixing soles. It allows him to change into the person who owns the particular shoes. The premise is good, Max steps into other persons' lives and also the wrong crowd, whose lives are far more diverse than his. Adam Sandler take a different role than his usual silly middle age men role. He brings more of casual awkwardness from a polite man, the addition of background and cultural aspects are also very welcomed to set a more identifiable setting.
Cinematography is slightly somber, certainly a change of pace from Sandler's usual overly colorful tone. To its credit, there are amount of details of the environment and the movie portrays the setting as a fundamental part of it. Humor mostly hits the spot, the jokes will create a few chuckles here and there. Though it's not all gold, it is definitely better than maniac laughs in Grown Up which isn't infectious at all. The film has more focus as it tells the comedy with both subtlety and exaggerated motions.
Actors deliver fair performance. Max's transformation takes him into different skins, all of which are portrayed with shared clumsiness. The body switching subgenre has a few predictable twists, the film also faces this problem, but it creates scenes with enough refinement that makes them refreshing and presentable. Screenplay and script have substantial material, they don't overreach the premise even though there are a few subplots in play.
There are some narrative hiccups towards the latter half, although these are not intrusive and shouldn't deter one from giving the movie a chance. The Cobbler reminds me of Click, it has strange concept yet surprisingly effective. This is an improvement in Sandler's movie line-up and it's certainly worth a view.
Story follows Max Simkin (Adam Sandler), a cobbler who finds out that his old apparatus has another magical function other than fixing soles. It allows him to change into the person who owns the particular shoes. The premise is good, Max steps into other persons' lives and also the wrong crowd, whose lives are far more diverse than his. Adam Sandler take a different role than his usual silly middle age men role. He brings more of casual awkwardness from a polite man, the addition of background and cultural aspects are also very welcomed to set a more identifiable setting.
Cinematography is slightly somber, certainly a change of pace from Sandler's usual overly colorful tone. To its credit, there are amount of details of the environment and the movie portrays the setting as a fundamental part of it. Humor mostly hits the spot, the jokes will create a few chuckles here and there. Though it's not all gold, it is definitely better than maniac laughs in Grown Up which isn't infectious at all. The film has more focus as it tells the comedy with both subtlety and exaggerated motions.
Actors deliver fair performance. Max's transformation takes him into different skins, all of which are portrayed with shared clumsiness. The body switching subgenre has a few predictable twists, the film also faces this problem, but it creates scenes with enough refinement that makes them refreshing and presentable. Screenplay and script have substantial material, they don't overreach the premise even though there are a few subplots in play.
There are some narrative hiccups towards the latter half, although these are not intrusive and shouldn't deter one from giving the movie a chance. The Cobbler reminds me of Click, it has strange concept yet surprisingly effective. This is an improvement in Sandler's movie line-up and it's certainly worth a view.
- quincytheodore
- 8 abr 2015
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- How long is The Cobbler?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- Màgia a les sabates
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 6.501.058 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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What is the French language plot outline for Con la magia en los zapatos (2014)?
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