From director Zhang Yimou, director of Hero, Shadow, and Full River Red, Article 20 is a courtroom drama uniquely packaged as a Chinese New Year comedy, cleverly broaching the sensitive topic of justifiable defense.
Han Ming, a newly assigned public prosecutor, works on a controversial case involving a husband stabbing his loan shark after raping his wife. Is it murder or a justifiable defense?
Meanwhile, Han Ming's son Han Yu Ming gets into a fight in school stopping a bullying incident. The injured bully is the son of the school guidance counselor Mr Zhang, who has reported the crime to the police.
As a criminal record threatens Yu Ming's chances of getting into a good university, Han Ming and his wife Li Maojuan rush to mediate the situation and plead for Mr Zhang to retract the police report...
Based on real-life defense cases in China, Li Meng and Wang Tianyi's script is sharp and thought-provoking. It brilliantly uses comedy to discuss the heavy uncomfortable topic of the often-neglected self-defense clause.
Zhang Yimou shoots the script as written, preserving its tight structure and rhythm, leaving his signature color palette aside. As seen previously in Full River Red, Zhang is surprisingly a talented comedy director-and in a witty fashion! There's a self-referential gag that refers to Zhang Yimou's previous film Full River Red that's wickedly funny. I prefer Zhang's new artistic direction making comedies over his wuxia or historical epic. This is among Zhang Yimou's best.
The hyper-verbal comedy between Lei Jiayin and Ma Li as the bickering husband and wife is hilarious. This becomes the emotional center, as a lightened comedic take on a family caught in a legal snag and arguing about what to do. Whenever the film switches gears and gets serious, it's gripping.
How do we judge what is right in a given situation? Do we judge from what's written in law or intuition? Can something be lawful if it's not in the law book? How do you judge motivation when a person's intentions change every second?
The current wave of Chinese crime films is a fascinating trend. They have more narrative freedom now, allowing for all sorts of crime subgenres and all conclude with a public message discouraging said crime. The restrictions have become its version of the early Hollywood Hays Code. Article 20 has beat the system, somehow.
Article 20's greatest achievement is how it packages itself as a laugh-out-loud comedy, cleverly slips past government restrictions inoffensively to acknowledge and ease the public about these misjudged self-defense cases in the past. From the end title cards, the government is on board as well.
I haven't seen a Chinese film quite like this. It's something to behold.
