Durante los Juegos Olímpicos de Múnich de 1972, un equipo de periodistas deportivos estadounidenses se ve obligado a cubrir la crisis de los rehenes entre los atletas israelíes.Durante los Juegos Olímpicos de Múnich de 1972, un equipo de periodistas deportivos estadounidenses se ve obligado a cubrir la crisis de los rehenes entre los atletas israelíes.Durante los Juegos Olímpicos de Múnich de 1972, un equipo de periodistas deportivos estadounidenses se ve obligado a cubrir la crisis de los rehenes entre los atletas israelíes.
- Nominado para 1 premio Óscar
- 12 premios y 27 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesAll of the live video footage of the siege and the studio presentation and interviews is the original footage as broadcast by ABC during the crisis, taken directly from their archive.
- PifiasThe crew are seen drinking from beer cans with retained ring pulls. This type of opening mechanism wasn't widely in use until the original patents expired in 1975, three years after the events depicted in the movie.
- Citas
Marvin Bader: Are your parents still around?
Marianne Gebhardt: Yes.
Marvin Bader: Let me guess. They didn't know either, right?
Marianne Gebhardt: I'm not them.
- ConexionesFeatured in 82nd Golden Globe Awards (2025)
Reseña destacada
I'll keep this review simple because this film deals with a tragic situation that I won't be able to do justice with words. It deserved a Best Picture nomination over "Emilia Pérez," that's for sure, and I don't think I'd mind it winning the Best Original Screenplay Oscar.
Going off that, Alex David, Moritz Binder, and Tim Fehlbaum's screenplay are excellent. It creates an intense atmosphere and compelling narrative against the backdrop of the 1972 Munich Olympics, even though the primary focus is on the ABC News team covering the story. Said atmosphere, which is also claustrophobic, almost rarely ceases to intrigue. While I don't think it's as strong as "Anora" or "The Substance," and its other competitors I either haven't seen ("The Brutalist") or don't think will win ("A Real Pain"), the screenplay stands as a remarkable accomplishment.
It helps that all the actors delivered strong performances as their respective characters. John Magaro, Peter Sarsgaard, and Lorine Benesch were especially memorable as Geoffrey Mason, Roone Arledge, and Marianne Gebhardt. I appreciate that the rest of the cast makes their characters equally believable. A film that mainly revolves around dialogue needs the talent to make it work, and I'm happy to say that's where this film succeeds.
Additionally, I was amazed at how the film portrayed the ABC News crew. Aside from a few members, the entire crew focused on covering the story first. I know that it's their job, but something just felt off. It seemed like their primary focus was to be the first to broadcast the events to further advance the station without thinking about the consequences of their actions.
For the last positive, Markus Förderer's cinematography is wildly stellar. Förderer's work contributes to the tense environment while making the film feel like it's one from when it takes place. The film looks like one shot on 35mm, and it's all the better because of it.
However, one thing stopping me from calling it one of 2024's (it was on limited release on December 13) best films is some stretches drag more than I thought. It never ceased to be vital, but I didn't entirely feel the suspense. I expected to be fully immersed and gripped by its story and the horrific events that happened during it, but I wasn't 100% invested. Don't get me wrong, it's still investing and doesn't ruin the film, but I wish I engaged more with the experience.
Overall, I enjoyed "September 5." Some pacing issues aside, it's a unique, mostly enthralling film that, if you're interested in seeing a different perspective on the events of September 5, 1972, it's definitely worth your time.
Technically, the acting, directing, cinematography, and Oscar-nominated screenplay make for an easy 10/10 technical score.
Now for the enjoyment score: despite some pacing issues, it was a great suspense film, making for a 10/10 enjoyment score. It may not be one of the best 10s for 2024 releases because of said stretches, but they're not enough to destroy the remaining eighty minutes of genius storytelling. Be sure to give it a watch!
Going off that, Alex David, Moritz Binder, and Tim Fehlbaum's screenplay are excellent. It creates an intense atmosphere and compelling narrative against the backdrop of the 1972 Munich Olympics, even though the primary focus is on the ABC News team covering the story. Said atmosphere, which is also claustrophobic, almost rarely ceases to intrigue. While I don't think it's as strong as "Anora" or "The Substance," and its other competitors I either haven't seen ("The Brutalist") or don't think will win ("A Real Pain"), the screenplay stands as a remarkable accomplishment.
It helps that all the actors delivered strong performances as their respective characters. John Magaro, Peter Sarsgaard, and Lorine Benesch were especially memorable as Geoffrey Mason, Roone Arledge, and Marianne Gebhardt. I appreciate that the rest of the cast makes their characters equally believable. A film that mainly revolves around dialogue needs the talent to make it work, and I'm happy to say that's where this film succeeds.
Additionally, I was amazed at how the film portrayed the ABC News crew. Aside from a few members, the entire crew focused on covering the story first. I know that it's their job, but something just felt off. It seemed like their primary focus was to be the first to broadcast the events to further advance the station without thinking about the consequences of their actions.
For the last positive, Markus Förderer's cinematography is wildly stellar. Förderer's work contributes to the tense environment while making the film feel like it's one from when it takes place. The film looks like one shot on 35mm, and it's all the better because of it.
However, one thing stopping me from calling it one of 2024's (it was on limited release on December 13) best films is some stretches drag more than I thought. It never ceased to be vital, but I didn't entirely feel the suspense. I expected to be fully immersed and gripped by its story and the horrific events that happened during it, but I wasn't 100% invested. Don't get me wrong, it's still investing and doesn't ruin the film, but I wish I engaged more with the experience.
Overall, I enjoyed "September 5." Some pacing issues aside, it's a unique, mostly enthralling film that, if you're interested in seeing a different perspective on the events of September 5, 1972, it's definitely worth your time.
Technically, the acting, directing, cinematography, and Oscar-nominated screenplay make for an easy 10/10 technical score.
Now for the enjoyment score: despite some pacing issues, it was a great suspense film, making for a 10/10 enjoyment score. It may not be one of the best 10s for 2024 releases because of said stretches, but they're not enough to destroy the remaining eighty minutes of genius storytelling. Be sure to give it a watch!
- a-j-kelly
- 27 ene 2025
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- September 5
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 2.508.723 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 80.802 US$
- 15 dic 2024
- Recaudación en todo el mundo
- 6.708.723 US$
- Duración1 hora 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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What is the Canadian French language plot outline for Septiembre 5 (2024)?
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