If you are interested in what everyday life is (or was two years ago) like in Putin's Russia, this movie is a goldmine. It's also a must-see for those who care about trans rights or enjoy absurd fashion art. The film features memorable scenes of the protagonist facing conflicts in Moscow and Magadan, a town in the remote, far-eastern part of the country. It provides an intimate portrait of Jenna/Gena Marvin during a turbulent period in their life (and in Russia's history): early 2022, at the start of the Ukrainian war.
However, it feels like the rapid pace of events caught even the creators off guard, forcing them to complete the movie without delving deeper into the story. Gena is portrayed as a loner, mostly seen arguing with their parents (who insist that Gena abandon their lifestyle). Yet, the footage clearly hints at a network of activists and supporters around them, about whom we learn nothing. Additionally, the film doesn't explore the artist's working methods, artistic philosophy, or personal journey in any meaningful detail. Nor does it reveal how they reached their current position or whether they have any plans or visions for the future of Russia.
These shortcomings are especially disappointing because Gena/Jenna is such an awe-inspiring figure. Staying true to oneself is never easy, but when who you are is practically outlawed in your country, it takes extraordinary courage to share it with the world.