¿Por qué no jugamos en el infierno?

Título original: Jigoku de naze warui

2013
Not Rated
2h 9min

PUNTUACIÓN EN IMDb

7,1/10

9,2 mil

TU PUNTUACIÓN

¿Por qué no jugamos en el infierno? (2013)

There's a war going on, but that won't stop an inexperienced film crew from following their dreams of making the ultimate action epic. Ten years ago, yakuza mid-boss Ikegami led an assault against rival don Muto. Now, on the eve of his revenge, all Muto wants to do is complete his masterpiece, a feature film with his daughter in the starring role, before his wife is released from prison. And the crew is standing by with the chance of a lifetime: to film a real, live yakuza battle to the death...on 35mm!

Reproducir trailer1:47

1 vídeo

17 imágenes

Action Comedy Horror

Un equipo de filmación se ve envuelto en una disputa del clan yakuza.Un equipo de filmación se ve envuelto en una disputa del clan yakuza.Un equipo de filmación se ve envuelto en una disputa del clan yakuza.

Ver la información de la producción en IMDbPro

PUNTUACIÓN EN IMDb

7,1/10

9,2 mil

TU PUNTUACIÓN

Ver la información de la producción en IMDbPro

Premios
- 8 premios y 11 nominaciones en total

Vídeos1

Trailer 1:47

Official Trailer

Imágenes17

+ 11

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Argumento

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¿Sabías que...?

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Curiosidades
The main characters who are amateur filmmakers watch a trailer they have made for their own film called "The Blood of Wolves", though they haven't actually made the movie itself yet, and never do. That was the working title of a movie later called Kenkichi (2012), that Sion Sono and Tak Sakaguchi were working on around the same time as this film. That film Kenkichi was also never made.

Conexiones
Featured in Horror's Greatest: Japanese Horror (2024)

Banda sonora
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By Saint-Preux

Reseñas de usuarios33

Comentarios

Reseña destacada

8/10

A film made for film lovers

I watched this movie few days ago and it is the first Sono Sion movie I have ever watched in cinema. The movie is quite funny with bloody scenes and mad characters (especially the film producer/director played by Hiroki Hasegawa) as Sono always does. You can say that the theme is actually about 35mm film and enthusiasm towards filmmaking (or in general pursuing dream). The thing that touches me (as non film geek) is that film encourage audience to get crazy for our dreams and wild out for it (I think at this point is quite similar to Love Exposure). I would recommend this movie to film lovers but in my viewpoint, this probably cannot really come close to Love Exposure.