PUNTUACIÓN EN IMDb
6,8/10
52 mil
TU PUNTUACIÓN
Un ex convicto, que es el más improbable de los modelos a seguir, conoce a un chico de 15 años y se enfrenta a la elección de la redención o la ruina.Un ex convicto, que es el más improbable de los modelos a seguir, conoce a un chico de 15 años y se enfrenta a la elección de la redención o la ruina.Un ex convicto, que es el más improbable de los modelos a seguir, conoce a un chico de 15 años y se enfrenta a la elección de la redención o la ruina.
- Premios
- 4 premios y 9 nominaciones en total
Brian Mays
- Junior
- (as Brian D. Mays)
Aj Wilson McPhaul
- Earl
- (as A.J. Wilson McPhaul)
Brenda Isaacs Booth
- Mother
- (as Brenda Isaacs-Booth)
Elbert Hill III
- Shorty
- (as Elbert Evan Hill III)
Argumento
¿Sabías que...?
- CuriosidadesDavid Gordon Green often casts locals in his movies. Gary Poulter was a homeless man in Austin. Poulter died on the streets of Austin on Feb. 19, 2013, 2 months after filming ended.
- PifiasWhen Gary takes off his vest by Joe's truck, his shirt pulls up and a microphone cable is visible going into his waistband.
- Citas
[repeated line]
Willie-Russell: I went through a windshield at 4 o'clock one morning and I don't give a fuck.
- Banda sonoraAnnihilate
Written by Weston Cage
Performed by Eyes of Noctum
Published by Sonitus Noir Music (BMI)
Courtesy of Morbid Rose Records
Reseña destacada
Joe (2013)
Where our children turn when their parents let them down is one of the most troubling areas for fact and fiction both. Nicolas Cage's checkered career doesn't diminish his strong, heartfelt performance here as Joe, leading a group of workers in the deep woods of some Deep South state doing illegal tree killing. But that's just backdrop, because a teenager, Gary, comes along looking for work, seemingly just from some patch of these rural woods or one of the little backwards towns nearby.
Joe has issues with violence and alcohol, but he's a truly good person deep down below all the conflicts and bad judgments, and he learns that Gary has an abusive father and troubled family. And he gradually gets involved. As this intersection grows, we learn more about Joe's world in the town, about some other guys who have it out for him, and about his sense of honor. It's that kind of world where government of all kinds, including the police, is considered unnecessary to the point of being bad, and instead people have a kind of independence that is sometimes admirable and sometimes pure belligerence.
That's the part of the movie I liked much more than I expected, and was what I took away above all—the portrayal of a kind of life and a kind of people, told with an odd kind of honesty that works.
It doesn't just reside there, however. The plot becomes highly dramatic, even sensational, as some of the shifty characters get motivated to get really violent. There is even a point when it gets so hairy for Joe he does something unthinkable until now—he calls the cops. You'll see, it's an odd turning point. So this vengeance and violence make the plot have teeth, I suppose, and it's fine, but I actually sense another movie that didn't get made here that was toned down two steps and had all these elements and yet kept the focus on the real grit.
And there's Gary, who is a pretty decent kid somehow (his father is about as bad as fathers can get, but his mom had some influence, I guess). We can finally see how a kid can escape a family horror and move on, while growing up and becoming a decent person, maybe another Joe, which oddly enough the world needs. It's worth watching just for all these things. Give it twenty minutes to develop, and it'll click.
Where our children turn when their parents let them down is one of the most troubling areas for fact and fiction both. Nicolas Cage's checkered career doesn't diminish his strong, heartfelt performance here as Joe, leading a group of workers in the deep woods of some Deep South state doing illegal tree killing. But that's just backdrop, because a teenager, Gary, comes along looking for work, seemingly just from some patch of these rural woods or one of the little backwards towns nearby.
Joe has issues with violence and alcohol, but he's a truly good person deep down below all the conflicts and bad judgments, and he learns that Gary has an abusive father and troubled family. And he gradually gets involved. As this intersection grows, we learn more about Joe's world in the town, about some other guys who have it out for him, and about his sense of honor. It's that kind of world where government of all kinds, including the police, is considered unnecessary to the point of being bad, and instead people have a kind of independence that is sometimes admirable and sometimes pure belligerence.
That's the part of the movie I liked much more than I expected, and was what I took away above all—the portrayal of a kind of life and a kind of people, told with an odd kind of honesty that works.
It doesn't just reside there, however. The plot becomes highly dramatic, even sensational, as some of the shifty characters get motivated to get really violent. There is even a point when it gets so hairy for Joe he does something unthinkable until now—he calls the cops. You'll see, it's an odd turning point. So this vengeance and violence make the plot have teeth, I suppose, and it's fine, but I actually sense another movie that didn't get made here that was toned down two steps and had all these elements and yet kept the focus on the real grit.
And there's Gary, who is a pretty decent kid somehow (his father is about as bad as fathers can get, but his mom had some influence, I guess). We can finally see how a kid can escape a family horror and move on, while growing up and becoming a decent person, maybe another Joe, which oddly enough the world needs. It's worth watching just for all these things. Give it twenty minutes to develop, and it'll click.
- secondtake
- 17 feb 2015
- Enlace permanente
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- How long is Joe?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Джо
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 4.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 373.375 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 105.881 US$
- 13 abr 2014
- Recaudación en todo el mundo
- 2.431.443 US$
- Duración1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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