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TU PUNTUACIÓN
Steve DiSchiavi, un detective jubilado de la policía de Nueva York, y Amy Allan, comunicadora psíquica con un sexto sentido para canalizar a los muertos, investigan crímenes.Steve DiSchiavi, un detective jubilado de la policía de Nueva York, y Amy Allan, comunicadora psíquica con un sexto sentido para canalizar a los muertos, investigan crímenes.Steve DiSchiavi, un detective jubilado de la policía de Nueva York, y Amy Allan, comunicadora psíquica con un sexto sentido para canalizar a los muertos, investigan crímenes.
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- CuriosidadesSeveral viewers have reported incongruencies in The Dead Files: in one episode Amy stated that she was obsessed with Lizzie Borden at one time, and then a few episodes later, they went to the Lizzie Borden house, and Amy claimed that she had no idea where she was, or knew anything about the house.
- PifiasIn over a dozen seasons, not a single homeowner has ever produced any video footage of the violent paranormal activity they claim takes place in their house night and day, non-stop in many cases; they are homeowners who live in expensive houses and could easily afford video recording equipment yet none of them has been able to set up a tripod or even record anything paranormal whatsoever with their cell phone.
- ConexionesFeatured in WatchMojo: Top 10 Scariest Paranormal Documentary Shows (2018)
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I watch all these paranormal shows but I think this is probably the worst I've seen.
Amy Allan walks around a location she knows "nothing" about making faces that have an animatronics look about them. Then she reveals some uncannily accurate information. Notably more accurate information than psychics ever give outside of this format, which has been used on shows like haunted homes etc. She's joined by a retired detective who does a great "I'm surprised at that!" face.
The first thing I find unconvincing about her is the way she'll tell you there's a dead person stood right in front of her but she barely gives it a second glance. If you really could see dead people wouldn't you be slightly more interested in looking at that than the camera?
Then there's the Lizzie Borden house. She tells a little girl in a previous episode that she was obsessed with that house as a child yet, the very next episode claims to have no idea where she is. Did she get there by rendition or what? That bears some explaining I think.
I gave up watching this one. I like ghost hunting shows but this just seems very phoney to me. Also, just as an aside I looked into the helicopter crash she described. The victim wasn't spinning around as she suggests, it clipped a hill and exploded instantly. The sensation of spinning around is just the kind of thing a bogus psychic would slip in because it sounds fitting.
Amy Allan walks around a location she knows "nothing" about making faces that have an animatronics look about them. Then she reveals some uncannily accurate information. Notably more accurate information than psychics ever give outside of this format, which has been used on shows like haunted homes etc. She's joined by a retired detective who does a great "I'm surprised at that!" face.
The first thing I find unconvincing about her is the way she'll tell you there's a dead person stood right in front of her but she barely gives it a second glance. If you really could see dead people wouldn't you be slightly more interested in looking at that than the camera?
Then there's the Lizzie Borden house. She tells a little girl in a previous episode that she was obsessed with that house as a child yet, the very next episode claims to have no idea where she is. Did she get there by rendition or what? That bears some explaining I think.
I gave up watching this one. I like ghost hunting shows but this just seems very phoney to me. Also, just as an aside I looked into the helicopter crash she described. The victim wasn't spinning around as she suggests, it clipped a hill and exploded instantly. The sensation of spinning around is just the kind of thing a bogus psychic would slip in because it sounds fitting.
- sebpopcorn
- 23 jul 2012
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