PUNTUACIÓN EN IMDb
4,6/10
24 mil
TU PUNTUACIÓN
Una joven trata de entender cómo obtuvo misteriosamente el poder de prender fuego a las cosas con su mente.Una joven trata de entender cómo obtuvo misteriosamente el poder de prender fuego a las cosas con su mente.Una joven trata de entender cómo obtuvo misteriosamente el poder de prender fuego a las cosas con su mente.
- Premios
- 7 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesJohn Carpenter, who did the music for this film, was set to direct the original Ojos de fuego (1984), but was replaced when his previous film, La cosa (El enigma de otro mundo) (1982), failed at the box office. He would instead direct another Stephen King adaptation, Christine (1983).
- PifiasWhen Charlie is in the woods trying to aim her abilities at firewood, you can see someone walking by in the background. She is clearly not alone and would've been seen.
- Citas
Vicky McGee: [to Rainbird] How Can You Be Still Helping Them After Everything They've Done To You?
- ConexionesFeatured in Amanda the Jedi Show: FIRESTARTER is a Trash Fire | Explained (2022)
- Banda sonoraControl, I'm Here
Written by Douglas McCarthy, Bon Harris
Performed by Nitzer Ebb
Published by Mute Song Limited by arrangement with Bank Robber Music, LLC
Courtesy of Geffen Records under license from Universal Music Enterprises
Reseña destacada
I don't think I've ever seen the Drew Barrymore version of this Stephen King story, nor have I read the book, so I honestly can't tell you if this lived up to either of those. What I can say is that, despite some interesting flourishes, mostly this is a pedestrian adventure and I'm not sure who the target audience is.
Charlie McGee (Ryan Kiera Armstrong) is a young girl with a supernatural power, when upset, she can generate an intense and destructive fire that she is impervious too. An incident at her school exposes her to a government agency that would like to bring her in for experimentation, one that has a dark history of dealing with people with powers. As her mother Vicky (Sydney Lemmon) and father Andy (Zac Efron) try to get her to safety, another powered individual Rainbird (Michael Greyeyes) is on their trail.
Blumhouse Studios has quite the history of successfully soft rebooting horror films now and their success with "The Invisible Man" is plastered all over the advertising for this one, unfortunately it's not telling anything like as interesting or relevant of a story. Dangerous power in the (relatively) unstable hands of a child is a familiar plot but here it's crowbarred into a low rent revenge action film, if anything - desperately lacking in scares, or invention, to make the experience worthwhile.
I did like the 80's aesthetic. Though it didn't extend to the actual setting, the typeface and style of the credit sequences are retro inspired and interesting, and there's a John (and Cody) Carpenter provided score, which is full of the sort of synthetic sounds that he's know for. I also can't actively criticise the performances of anyone involved, though by the same token, nobody particularly stands out. The visual effects are fine, if a bit toned down for what they might have been.
It's just all in service of a story that's not very interesting. I know it's not a horror story in the way some other King narratives are, but it's desperately lacking in any sort of thrills.
Charlie McGee (Ryan Kiera Armstrong) is a young girl with a supernatural power, when upset, she can generate an intense and destructive fire that she is impervious too. An incident at her school exposes her to a government agency that would like to bring her in for experimentation, one that has a dark history of dealing with people with powers. As her mother Vicky (Sydney Lemmon) and father Andy (Zac Efron) try to get her to safety, another powered individual Rainbird (Michael Greyeyes) is on their trail.
Blumhouse Studios has quite the history of successfully soft rebooting horror films now and their success with "The Invisible Man" is plastered all over the advertising for this one, unfortunately it's not telling anything like as interesting or relevant of a story. Dangerous power in the (relatively) unstable hands of a child is a familiar plot but here it's crowbarred into a low rent revenge action film, if anything - desperately lacking in scares, or invention, to make the experience worthwhile.
I did like the 80's aesthetic. Though it didn't extend to the actual setting, the typeface and style of the credit sequences are retro inspired and interesting, and there's a John (and Cody) Carpenter provided score, which is full of the sort of synthetic sounds that he's know for. I also can't actively criticise the performances of anyone involved, though by the same token, nobody particularly stands out. The visual effects are fine, if a bit toned down for what they might have been.
It's just all in service of a story that's not very interesting. I know it's not a horror story in the way some other King narratives are, but it's desperately lacking in any sort of thrills.
- southdavid
- 14 may 2022
- Enlace permanente
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Detalles
Taquilla
- Presupuesto
- 12.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 9.739.250 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 3.827.715 US$
- 15 may 2022
- Recaudación en todo el mundo
- 15.039.250 US$
- Duración1 hora 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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