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Un documental sobre el escritor y director Brian De Palma.Un documental sobre el escritor y director Brian De Palma.Un documental sobre el escritor y director Brian De Palma.
- Premios
- 1 premio y 4 nominaciones en total
Mark Hamill
- Self
- (metraje de archivo)
Amy Irving
- Self
- (metraje de archivo)
Kurt Russell
- Self
- (metraje de archivo)
Sissy Spacek
- Self
- (metraje de archivo)
Steven Spielberg
- Self
- (metraje de archivo)
Angela Bettis
- Carietta 'Carrie' White
- (metraje de archivo)
- (sin acreditar)
Jill Clayburgh
- Self
- (metraje de archivo)
- (sin acreditar)
Clarence Clemons
- Self
- (metraje de archivo)
- (sin acreditar)
William Finley
- Winslow
- (metraje de archivo)
- (sin acreditar)
- …
Vincent Gardenia
- Doctor Byrd
- (metraje de archivo)
- (sin acreditar)
Don Harvey
- Clark
- (metraje de archivo)
- (sin acreditar)
Annette Haven
- Self
- (metraje de archivo)
- (sin acreditar)
Gale Anne Hurd
- Self
- (metraje de archivo)
- (sin acreditar)
Holly Johnson
- Singing Nightclub Doorman
- (metraje de archivo)
- (sin acreditar)
Alan King
- Arthur Ruskin
- (metraje de archivo)
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesPaltrow and Baumbach filmed Brian De Palma for one week in 2010, collecting about 30 hours worth of interview footage. De Palma, sitting in Paltrow's living room and talking about his career, wore the same shirt every day for continuity's sake. But the movie ended up premiering in 2015 and the director made another movie years after the interview, which explains why when he talks about Passion the viewer only hears his voice but doesn't see him talking.
- PifiasFemme Fatale (2002)'s release date is incorrectly listed as 2000, both in the body of the film and in the end credits.
- Citas
[repeated line]
Brian De Palma: Holy mackerel.
- ConexionesFeatures El fantasma de la ópera (1925)
- Banda sonoraDe Palma (Main Title Theme)
Written by Nathan Johnson
Courtesy of Choplogic Music
Under license from Nathan Johnson
Reseña destacada
For those with in interest in De Palma's films and long career, or just cinema in general, this is a highly entertaining and informative visit with one of the most interesting, controversial and eclectic American film makers of the last 50 years.
The form couldn't be simpler. Just Brian De Palma sitting in a chair telling stories about each of his films in chronological order, from his first shorts in the mid 1960s to "Passion" in 2013 – an amazing span of almost 50 years. His comments are interspersed with well chosen clips from his own work, and – when he makes a reference – those of other film-makers as well.
What makes this form work so well is that De Palma is a terrific interview subject. He's funny, thoughtful, insightful, and sometimes very entertainingly snarky. He is also tremendously honest. He saves many of his toughest criticisms for himself, analyzing with surgical precision why certain of his films could have been better, and his part in those lapses. Very few directors are willing to talk at length about choices and moments they regret, usually choosing only to blame others for artistic goals falling short. But by acknowledging his own choices that didn't work out he makes himself very human, empathetic and trustworthy as a subject. He's not interested in self-glorification as much as he is in sharing a lifetime of wisdom won by mostly hard experience (few of De Palma's films got the support and attention they deserved at the time of their release – some, like 'Scarface' only became iconic years later). And he also talks with a touching wistfulness about those films he is truly proud of that never got the support – critical, commercial or both – that they deserved.
Overall you end up with a real sense of what it's like to be tremendously talented, protean, rule-breaking film-maker over 50 years – the ridiculous highs and lows, the multiple struggles, hard times and occasional triumphs of a high-profile artistic life in the weirdness that is the American film scene.
The form couldn't be simpler. Just Brian De Palma sitting in a chair telling stories about each of his films in chronological order, from his first shorts in the mid 1960s to "Passion" in 2013 – an amazing span of almost 50 years. His comments are interspersed with well chosen clips from his own work, and – when he makes a reference – those of other film-makers as well.
What makes this form work so well is that De Palma is a terrific interview subject. He's funny, thoughtful, insightful, and sometimes very entertainingly snarky. He is also tremendously honest. He saves many of his toughest criticisms for himself, analyzing with surgical precision why certain of his films could have been better, and his part in those lapses. Very few directors are willing to talk at length about choices and moments they regret, usually choosing only to blame others for artistic goals falling short. But by acknowledging his own choices that didn't work out he makes himself very human, empathetic and trustworthy as a subject. He's not interested in self-glorification as much as he is in sharing a lifetime of wisdom won by mostly hard experience (few of De Palma's films got the support and attention they deserved at the time of their release – some, like 'Scarface' only became iconic years later). And he also talks with a touching wistfulness about those films he is truly proud of that never got the support – critical, commercial or both – that they deserved.
Overall you end up with a real sense of what it's like to be tremendously talented, protean, rule-breaking film-maker over 50 years – the ridiculous highs and lows, the multiple struggles, hard times and occasional triumphs of a high-profile artistic life in the weirdness that is the American film scene.
- runamokprods
- 2 jun 2017
- Enlace permanente
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- How long is De Palma?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 165.237 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 30.355 US$
- 12 jun 2016
- Recaudación en todo el mundo
- 168.045 US$
- Duración1 hora 50 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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Principal laguna de datos
By what name was De Palma (2015) officially released in Canada in English?
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