Oakes Fegley, a name familiar to many Person of Interest fans despite his brief three-episode stint as Gabriel Hayward, has carved out a surprisingly successful film career since then.
Adam the First starts off promising enough, but it took an unexpected turn that left me scratching my head. The film abruptly veers into Christian territory, transforming what could have been a compelling narrative into something that feels a bit preachy. While I appreciate stories with religious themes, I'm not a fan of films that come across as overt propaganda, regardless of the political or religious viewpoint.
It's not uncommon for American and Canadian actors to appear in such films, and it seems even the beloved David Duchovny couldn't resist. However, his presence is disappointingly minimal, barely justifying his name in the credits. It's as if he had a personal connection to the project and simply wanted to lend his support, because his impact on the film is negligible.
Fegley, on the other hand, delivers a commendable performance, showcasing the talent that has propelled him to success. He manages to shine even when the script falters, bringing a depth and authenticity to his character that transcends the film's shortcomings.
Despite its missteps, Adam the First isn't a complete disaster. The cinematography is visually appealing, capturing the natural beauty of the Mississippi setting. The film also boasts a few genuinely touching moments that resonate emotionally, even if they are overshadowed by the heavy-handed religious messaging.
In the end, Adam the First is a mixed bag. It's a film with potential that ultimately falls short due to its overemphasis on religious themes. It's a shame, because Fegley's performance and the film's visual appeal deserve better. If you're looking for a thought-provoking drama, you might find something to appreciate here, but be prepared for a dose of Christian messaging that might not be to everyone's taste.
