PUNTUACIÓN EN IMDb
6,3/10
6,2 mil
TU PUNTUACIÓN
Una escultora que se prepara para abrir una nueva muestra debe equilibrar su vida creativa con los dramas diarios de la familia y los amigos, en el retrato vibrante y cautivadoramente divert... Leer todoUna escultora que se prepara para abrir una nueva muestra debe equilibrar su vida creativa con los dramas diarios de la familia y los amigos, en el retrato vibrante y cautivadoramente divertido del arte y la artesanía de Kelly Reichardt.Una escultora que se prepara para abrir una nueva muestra debe equilibrar su vida creativa con los dramas diarios de la familia y los amigos, en el retrato vibrante y cautivadoramente divertido del arte y la artesanía de Kelly Reichardt.
- Premios
- 5 premios y 10 nominaciones en total
André 3000
- Eric
- (as André Benjamin)
Argumento
¿Sabías que...?
- CuriosidadesThe art pieces that Lizzy created in the movie have been made by artist Cynthia Lahti, who lives in Portland, and whose work writer-director Kelly Reichardt has followed for a long time. She also happened to be a longtime friend of Jonathan Raymond, who is the co-writer of this movie. Her work was on Reichardt's mind as she was writing the movie, but when Reichardt first contacted her, she was on the verge of giving up her career. She trained Michelle Williams in sculpting before filming, and while working on the movie, she found a renewed urge to create. By the end of the shoot, she had created so many new pieces that it became difficult to walk inside her workshop.
- PifiasIn the first scene Eric uses the kiln, he lays Lizzie's freshly glazed pieces directly on the shelves. This would actually ruin the kiln shelves and the pieces while firing as glaze melts when it's hot and transforms into a glass-like matter which would stick to the shelves.
- Créditos adicionalesThe end credits roll over a shot of an art student weaving on a loom.
Reseña destacada
So if you've ever been around artists or the art world you know that there isn't a whole lot of drama unless the artist in question has issues. There's a lot of "hurry up and wait" as artists paint, sculpt, shape or just cerate in some way shape or form.
And this film is all about "Showing Up".
Like I've said in other reviews, films, mostly American films, are about showing characters facing adversity, overcoming said adversity, and growing for it. Or becoming more whole people. American films are all about therapeutic sessions for the movie going masses. In other words this isn't plot driven, but character driven. And as much as I appreciate slow films, this one had me on the verge of walking out.
Part of the reason is that SF's Metreon Number 2 theatre is partially out of focus. But aside from that the film just plods along from one small character encounter to the other. Until the sum total sees the patient, that is main character, have a break out moment. Suddenly they're cured and all is well, except that damn projector is still showing a fuzzy image.;
I didn't hate the film, but the promo said that this film was a captivating and hilarious look at the artist's world. Well, I at least didn't pay full price for the film, and unlike the PRC remake of Hichiko the night before, this film had a larger audience. But there was nary a funny moment in it, and what we're seeing is the viewpoint of the artist as they create art for a self expression finale.
Watching someone paint, sculpt, write, shoot film even, is boring. It really is. A lot of the dynamic goes on inside the neural network of the human brain, a thing we can't see. All we see is the artist rendering the final creation. It is akin to watching paint dry. And that's kind of what this film feels like. Watching the artist dry her paint as she walks from one vignette to the next.
That's intentional, but it sure made it a chore to watch for those unprepared. I expected something far more traditional and actually funny, not some slow plodding well shot and static character examination as per a psychological study. And for that alone I felt like writing a hate filled review because of my hatred for behavioral science.
BHut, it is actually a kind of endearing film, and accomplishes its goal in the end. There's nothing flashy here, just a slow paced well meaning film looking at the everyday life of an artist who finally stands up for herself, her art, and life in the end.
And this film is all about "Showing Up".
Like I've said in other reviews, films, mostly American films, are about showing characters facing adversity, overcoming said adversity, and growing for it. Or becoming more whole people. American films are all about therapeutic sessions for the movie going masses. In other words this isn't plot driven, but character driven. And as much as I appreciate slow films, this one had me on the verge of walking out.
Part of the reason is that SF's Metreon Number 2 theatre is partially out of focus. But aside from that the film just plods along from one small character encounter to the other. Until the sum total sees the patient, that is main character, have a break out moment. Suddenly they're cured and all is well, except that damn projector is still showing a fuzzy image.;
I didn't hate the film, but the promo said that this film was a captivating and hilarious look at the artist's world. Well, I at least didn't pay full price for the film, and unlike the PRC remake of Hichiko the night before, this film had a larger audience. But there was nary a funny moment in it, and what we're seeing is the viewpoint of the artist as they create art for a self expression finale.
Watching someone paint, sculpt, write, shoot film even, is boring. It really is. A lot of the dynamic goes on inside the neural network of the human brain, a thing we can't see. All we see is the artist rendering the final creation. It is akin to watching paint dry. And that's kind of what this film feels like. Watching the artist dry her paint as she walks from one vignette to the next.
That's intentional, but it sure made it a chore to watch for those unprepared. I expected something far more traditional and actually funny, not some slow plodding well shot and static character examination as per a psychological study. And for that alone I felt like writing a hate filled review because of my hatred for behavioral science.
BHut, it is actually a kind of endearing film, and accomplishes its goal in the end. There's nothing flashy here, just a slow paced well meaning film looking at the everyday life of an artist who finally stands up for herself, her art, and life in the end.
- Blueghost
- 17 abr 2023
- Enlace permanente
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- How long is Showing Up?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en Estados Unidos y Canadá
- 754.483 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 63.418 US$
- 9 abr 2023
- Recaudación en todo el mundo
- 1.222.428 US$
- Duración1 hora 47 minutos
- Color
- Relación de aspecto
- 1.78 : 1
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