PUNTUACIÓN EN IMDb
4,9/10
2 mil
TU PUNTUACIÓN
En 1944, un grupo de mujeres en un aislado pueblo galés descubre que sus maridos han desparecido misteriosamente.En 1944, un grupo de mujeres en un aislado pueblo galés descubre que sus maridos han desparecido misteriosamente.En 1944, un grupo de mujeres en un aislado pueblo galés descubre que sus maridos han desparecido misteriosamente.
- Premios
- 1 premio y 5 nominaciones en total
Alexander Dreymon
- Steiner
- (as Alexander Doetsch)
Stanislav Yanevski
- Bernhardt
- (as Stanislav Ianevski)
Argumento
¿Sabías que...?
- CuriosidadesThe setting of the novel and the film is The Olchon, a real valley in the Welsh borders.
- PifiasThe main farm has electricity which is unlikely in the 1940s but various scenes are lit by candle ( German cook ) in the kitchen and oil lamp. The script definitely refers to the shortage of oil.
- Banda sonoraVenetian Boat Song
[from "Songs without words, Op. 19, No. 6 in G Minor"]
Composed by Felix Mendelssohn
Recorded at British Grove Studios
Solo Piano performed by Fiona Dalzell
Engineer: Martin Hollis
Assistant Engineer: Joe Kearns
Reseña destacada
The romance of melancholy is the best way I can describe the tone.
This dreary film would of been fine if I was looking to feel contemplative on the idea of existence as a whole showing how meaningful it is through single life and the glorification of the mundane interaction that such a singular life must undertake. But I was not looking for that. I felt mislead by the description, it would be perfectly fine and enjoyable if this was what I wanted.
That being said the discussion of the humans condition being consistence (and repetitive) regardless of cultural differences is some what over done these days. It is a notion that needs to evolve in its functional use for story telling. Hopefully where it is not longer the core of a story but an assumed trait perhaps. This is only a personal preference though and I acknowledge that not everyone thinks it is an trope that has become unreasonably popular.
This dreary film would of been fine if I was looking to feel contemplative on the idea of existence as a whole showing how meaningful it is through single life and the glorification of the mundane interaction that such a singular life must undertake. But I was not looking for that. I felt mislead by the description, it would be perfectly fine and enjoyable if this was what I wanted.
That being said the discussion of the humans condition being consistence (and repetitive) regardless of cultural differences is some what over done these days. It is a notion that needs to evolve in its functional use for story telling. Hopefully where it is not longer the core of a story but an assumed trait perhaps. This is only a personal preference though and I acknowledge that not everyone thinks it is an trope that has become unreasonably popular.
- d_c_m
- 3 oct 2014
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Detalles
Taquilla
- Recaudación en todo el mundo
- 68.548 US$
- Duración1 hora 32 minutos
- Color
- Mezcla de sonido
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By what name was Resistencia (2011) officially released in India in English?
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