Todo cambia para Mia, de 15 años, cuando su madre trae a casa un nuevo novio.Todo cambia para Mia, de 15 años, cuando su madre trae a casa un nuevo novio.Todo cambia para Mia, de 15 años, cuando su madre trae a casa un nuevo novio.
- Ganó 1 premio BAFTA
- 21 premios y 30 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesKatie Jarvis, who plays Mia, had never acted before this film. A casting director spotted her having a fight with her boyfriend at a train station and offered her the role.
- PifiasAs Mia is leaving the dance audition, she passes a mirrored wall and the cameraman and his equipment is clearly reflected.
- ConexionesFeatured in The Rotten Tomatoes Show: Daybreakers/Leap Year/Youth in Revolt (2010)
- Banda sonoraMe & U
Performed by Cassie Ventura (as Cassie) featuring Sean 'Diddy' Combs (as Diddy) & Yung Joc
Written by Ryan Leslie
Published by Aspen Songs
Administered by Kobalt Music Publishing Ltd
Licensed courtesy of Warner Music UK Ltd
Reseña destacada
I left this movie stunned and stilled. Katie Jarvis' expressionless voyage through her 15th year soaked my entire attention into her character's being until I was her. A masterful performance of reserve and barely suppressed anger, frustration and awe permeate Jarvis' every move. While the character does unforgivable things at times, she is never who she seems to be on the surface. One can't help but pull for Mia and empathize with her inherent goodness, masquerading as it is under a steely, cold demeanour.
Jarvis' extraordinary performance wouldn't make a whit of impact without a director's equally reserved yet insightful work. Arnold never forces the issue, save for a little bit of symbolic overindulgence near the end, letting the characters play out the story.
Jarvis isn't alone in her excellence. Michael Fassbinder is a wonder, a smooth talking machismo machine who never over exerts but provides the right nuance at the right moment. Kierston Wareing is equally as effective, raw yet vulnerable, but like her daughters you would never know it by her words alone.
Arnold is one of the few modern directors who does not employ gimmicks. Music is one of the most offending of all directing crutches. This director avoids incidental music except when it actually occurs as part of the story. In one scene in particular, crossing fields all you can hear are the rustling of the leaves and the weeds, much like Antonioni did with "Blow-Up". Without distracting synthesisers or orchestras, the scene has all the terror of the moment.
This is a rare movie of substance and grit. It sinks under your skin and won't let you go. It never overplays its hand and keeps you involved. Arnold, Fassbender and Jarvis weave a hypnotic tale that in most cases would alienate and aggravate. It takes real artistry to transform such a gritty tale into a work of art of subtly and reserve. Fassbender is fast becoming a star. It won't take longer for Jarvis to follow, should she want it bad enough. As for Arnold, I'm looking forward to her next work more than any other.
Jarvis' extraordinary performance wouldn't make a whit of impact without a director's equally reserved yet insightful work. Arnold never forces the issue, save for a little bit of symbolic overindulgence near the end, letting the characters play out the story.
Jarvis isn't alone in her excellence. Michael Fassbinder is a wonder, a smooth talking machismo machine who never over exerts but provides the right nuance at the right moment. Kierston Wareing is equally as effective, raw yet vulnerable, but like her daughters you would never know it by her words alone.
Arnold is one of the few modern directors who does not employ gimmicks. Music is one of the most offending of all directing crutches. This director avoids incidental music except when it actually occurs as part of the story. In one scene in particular, crossing fields all you can hear are the rustling of the leaves and the weeds, much like Antonioni did with "Blow-Up". Without distracting synthesisers or orchestras, the scene has all the terror of the moment.
This is a rare movie of substance and grit. It sinks under your skin and won't let you go. It never overplays its hand and keeps you involved. Arnold, Fassbender and Jarvis weave a hypnotic tale that in most cases would alienate and aggravate. It takes real artistry to transform such a gritty tale into a work of art of subtly and reserve. Fassbender is fast becoming a star. It won't take longer for Jarvis to follow, should she want it bad enough. As for Arnold, I'm looking forward to her next work more than any other.
- skysaxon
- 25 may 2011
- Enlace permanente
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is Fish Tank?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Fish tank
- Localizaciones del rodaje
- Mardyke Estate, Rainham, Essex, Inglaterra, Reino Unido(Mardyke Estate has since been renamed "Orchard Village" and substantially rebuilt or demolished)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 3.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 374.675 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 25.854 US$
- 17 ene 2010
- Recaudación en todo el mundo
- 2.404.300 US$
- Duración2 horas 3 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta