Una oficial de crédito desaloja a una anciana y recibe a consecuencia una maldición. Desesperada, se dirige a un vidente para tratar de salvar su alma.Una oficial de crédito desaloja a una anciana y recibe a consecuencia una maldición. Desesperada, se dirige a un vidente para tratar de salvar su alma.Una oficial de crédito desaloja a una anciana y recibe a consecuencia una maldición. Desesperada, se dirige a un vidente para tratar de salvar su alma.
- Premios
- 7 premios y 24 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesAlison Lohman did almost all of her own stunts.
- PifiasMrs. Ganush's body gushes a large quantity of embalming fluid onto Christine's face, but in the next scene, her hair is completely dry.
- Créditos adicionalesThe film opens with the 1963 "Van Allen belts" Universal logo.
- Versiones alternativasThe unrated director's cut DVD adds four notable extended shots/sequences:
- 1. The scene where Christine's nose squirts blood is extended, adding a shot of blood pouring out of her mouth. She covers her mouth, causing the fountain of blood to erupt from her nose.
- 2. The shot of Christine raising the knife above her cat is extended, showing Christine plunging the knife down several times, with some squirting blood.
- 3. We also see the cat's bloodied body fall into the hole in Christine and Clay's yard, just before Christine begins to shovel dirt upon it.
- 4. When Christine drops the anvil on Mrs. Ganush, Christine still gets splattered with Mrs. Ganush's eyeballs and brain matter, but now it's blood red colored.
- ConexionesFeatured in HBO First Look: Making 'Drag Me to Hell' (2009)
- Banda sonoraRock Ballad (Unused Theme from The Exorcist)
Written and Performed by Lalo Schifrin
Courtesy of Warner Bros. Entertainment
Played in the end credits
Reseña destacada
Drag Me to Hell gets off to a strong start, with a young woman's stress at home and work reasonably well developed before, well, all hell breaks loose, and an assortment of colored fluids are expelled from various orifices, often from one person to another. There are a lot of squirm-inducing moments but they are spaced out reasonably well, and this is a fun film.
The young woman (Alison Lohman) is a loan officer at a bank who is vying with another to get promoted at work, but watching her hopes dim as he seems better at playing political games. She also has a boyfriend (Justin Long) whose wealthy parents believe she isn't good enough for. One day at work an elderly woman comes in asking for an extension on her loan payments so that she doesn't lose her house. Fearing that she needs to be perceived as tough enough to make hard decisions, she turns the woman down, leading to being cursed and soon haunted by an evil spirit called a lamia. She turns to a fortune teller for help, but naturally the solution is not as simple as sacrificing an animal.
I liked how Sam Raimi the director moved the action along, skipping unnecessary dialogue and physical movement to get from one scene to another. I thought Sam Raimi the writer (and his brother Ivan) were a little less successful in the middle part of the film, where it stalled a bit. One of the obvious solutions to attempting to lift the curse (getting rid of an object) is oddly delayed. There were also moments where the dialogue was stilted. With that said, the film holds together well, and its big scenes all deliver. Strong ending too.
The young woman (Alison Lohman) is a loan officer at a bank who is vying with another to get promoted at work, but watching her hopes dim as he seems better at playing political games. She also has a boyfriend (Justin Long) whose wealthy parents believe she isn't good enough for. One day at work an elderly woman comes in asking for an extension on her loan payments so that she doesn't lose her house. Fearing that she needs to be perceived as tough enough to make hard decisions, she turns the woman down, leading to being cursed and soon haunted by an evil spirit called a lamia. She turns to a fortune teller for help, but naturally the solution is not as simple as sacrificing an animal.
I liked how Sam Raimi the director moved the action along, skipping unnecessary dialogue and physical movement to get from one scene to another. I thought Sam Raimi the writer (and his brother Ivan) were a little less successful in the middle part of the film, where it stalled a bit. One of the obvious solutions to attempting to lift the curse (getting rid of an object) is oddly delayed. There were also moments where the dialogue was stilted. With that said, the film holds together well, and its big scenes all deliver. Strong ending too.
- gbill-74877
- 1 dic 2022
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- Arrossega'm a l'infern
- Localizaciones del rodaje
- 1031 Everett St, Los Ángeles, California, Estados Unidos(Christine's house)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 42.100.625 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 15.825.480 US$
- 31 may 2009
- Recaudación en todo el mundo
- 90.843.550 US$
- Duración1 hora 39 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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