PUNTUACIÓN EN IMDb
6,6/10
808
TU PUNTUACIÓN
Una animación musical del equipo nominado al Oscar tras Chico y Rita.Una animación musical del equipo nominado al Oscar tras Chico y Rita.Una animación musical del equipo nominado al Oscar tras Chico y Rita.
- Premios
- 11 nominaciones en total
Tony Ramos
- João
- (voz)
Ângela Rabello
- Suzana de Moraes
- (voz)
- (as Ângela Rabelo)
Vinicius de Moraes
- Self
- (metraje de archivo)
- (voz)
Malena Barretto
- Self
- (voz)
Chico Buarque
- Self
- (voz)
Alberico Campana
- Self
- (voz)
Umberto Contardi
- Self
- (voz)
Mariana Croccia
- Self
- (voz)
João Donato
- Self
- (voz)
Eduardo Luis Duhalde
- Self
- (metraje de archivo)
- (voz)
Gilberto Gil
- Self
- (voz)
Argumento
¿Sabías que...?
- CuriosidadesThe movie title pays tribute to François Truffaut's Tirad sobre el pianista (1960).
- ConexionesReferences Los cuatrocientos golpes (1959)
Reseña destacada
This an animation film about the life and tragic death of Francisco Tenório, a jazz piano player. The story is narrated exclusively through the recorded accounts of people who met him, and it's framed through the journey of discovery that a writer takes to write a book about him.
The reconstruction of the interviews that constitute the bulk of the film is painstaking and extensive. Most are slightly unfocused, fogged by the passing of time, and can be resumed with "he was a great guy". It's only well into the second act that we start to get crumbs of information about his cruel demise, and eventually the mystery is solved. Ample context is given, and it sheds light over a very dark time of the history of Latin America. You leave the cinema feeling that Francisco remains a ghost, that his short life in perilous times left precious little trace beside his records, but perhaps it's intentional, and it's laudable that the director resists the temptation of creating an overarching narrative for dramatic effect.
Side notes: I found the "reduced animation" technique exceedingly distracting, and I couldn't quite decide if it was a stylistic choice, or a budgeting strategy. Jeff Goldblum is pitch-perfect in the part of the narrator, although little is made of the cultural difference between his character, a textbook New Yorker journalist, and his subjects, mostly old men from Brazil and Argentina.
Overall, a slightly uneven movie that remains interesting, and tells a worthwhile story. And, ah, Jeff Goldblum.
The reconstruction of the interviews that constitute the bulk of the film is painstaking and extensive. Most are slightly unfocused, fogged by the passing of time, and can be resumed with "he was a great guy". It's only well into the second act that we start to get crumbs of information about his cruel demise, and eventually the mystery is solved. Ample context is given, and it sheds light over a very dark time of the history of Latin America. You leave the cinema feeling that Francisco remains a ghost, that his short life in perilous times left precious little trace beside his records, but perhaps it's intentional, and it's laudable that the director resists the temptation of creating an overarching narrative for dramatic effect.
Side notes: I found the "reduced animation" technique exceedingly distracting, and I couldn't quite decide if it was a stylistic choice, or a budgeting strategy. Jeff Goldblum is pitch-perfect in the part of the narrator, although little is made of the cultural difference between his character, a textbook New Yorker journalist, and his subjects, mostly old men from Brazil and Argentina.
Overall, a slightly uneven movie that remains interesting, and tells a worthwhile story. And, ah, Jeff Goldblum.
- bjacob
- 13 oct 2023
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- They Shot the Piano Player
- Localizaciones del rodaje
- Strand Book Store, Nueva York, Nueva York, Estados Unidos(opening and closung scenes)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 6.216.000 € (estimación)
- Recaudación en Estados Unidos y Canadá
- 59.587 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 6734 US$
- 25 feb 2024
- Recaudación en todo el mundo
- 381.821 US$
- Duración1 hora 44 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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What is the Mexican Spanish language plot outline for Dispararon al pianista (2023)?
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