New York, I Love You

2008
R
1h 43min

PUNTUACIÓN EN IMDb

6,2/10

49 mil

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Ethan Hawke, Natalie Portman, Christina Ricci, Andy Garcia, John Hurt, Robin Wright, James Caan, Julie Christie, Drea de Matteo, Carlos Acosta, Orlando Bloom, Hayden Christensen, Bradley Cooper, Chris Cooper, Irrfan Khan, Shia LaBeouf, Maggie Q, Shu Qi, Anton Yelchin, Rachel Bilson, and Olivia Thirlby in New York, I Love You (2008)

New York, I Love You Trailer - A collaboration of storytelling from some of today's most imaginative filmmakers and creative actors who together create a kaleidoscope of the spontaneous, surprising, electrifying human connections that pump the city's heartbeat.

Reproducir trailer2:01

15 vídeos

49 imágenes

Romantic Comedy Comedy Drama Romance

Once historias de amor ambientadas en una de las ciudades más queridas y odiadas del mundo: Nueva York.Once historias de amor ambientadas en una de las ciudades más queridas y odiadas del mundo: Nueva York.Once historias de amor ambientadas en una de las ciudades más queridas y odiadas del mundo: Nueva York.

Ver la información de la producción en IMDbPro

Premios
- 1 nominación en total

Curiosidades
The various filmmakers were asked to adhere to three guidelines: They had only twenty-four hours to shoot, a week to edit, and needed to give the sense of a particular neighborhood.

Pifias
The photo of Molly that Ben shoves into the mailbox is wallet-size (it was in the stolen wallet), maybe 3" long, judging by the size of his hand holding it. However, when he passes the mailbox later, the photo that pops out is at least an 8 x10" (judging by the size of a standard USPS mailbox) when the frame is frozen. Then, when he picks it up, it is almost 6" long, as big as his entire hand, and more suitable to a frame on a desk. The same photo is three different sizes. Is the mailbox magical?

Citas
Camille: Hey, David, it's Camille. You know, when Dostoevsky was writing The Gambler, he signed a contract with his publisher saying that he would finish it in twenty-six days, and he did it, but he had the help of this young stenographer. This girl, she... she stayed with him and she helped him. And... afterwards they actually got married. Ha, isn't that cool? That's how he met his wife. Anyway I found this story in the preface for Crime and Punishment so I was thinking that... and, this would have to be between you and me, but... I was thinking that I could read the books and tell you what's going on and that way you could just focus on your music. But only if you're comfortable with this, and if you're not then you can just forget it, and you can quit, but if you are... then open this door.
David: Open... this door?
[crawls to his front door and opens it]
Camille: Okay, a deal's a deal.
David: Does this mean we're getting married?
Camille: I have a lot of reading to do...
Camille: Hi, I'm Camille.
David: Hi, I'm David.

Créditos adicionales
The last segment segues into scenes from the film, viewed as if projected on parts of buildings. After, the end credits begin, accompanied by stills, both of the characters and behind the scenes.

Versiones alternativas
When the title was shown at Toronto Film Festival it included two additional segments These Vagabond Shoes (2009) and Apocrypha (2009), these were removed for the wide release but are included in the DVD extras.

Conexiones
Edited into These Vagabond Shoes (2009)

Banda sonora
No Surprises
(1997)
Performed by Radiohead
Courtesy of Parlophone Records
Under License from EMI Music Group
Written by Jonny Greenwood (as Greenwood), Colin Greenwood (as Greenwood), Ed O'Brien (as O'Brien),
Phil Selway (as Selway), Thom Yorke (as Yorke)
Published by WB Music Corp. (ASCAP)

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Comentarios

Reseña destacada

7/10

Not as good as Paris Je'taime

I cannot say this movie is a disappointment because I read some reviews before watching and it did not do as well as I thought it would have. The bar was not set that high, so the fact that my expectations were met is not saying much.

The Good: The city of New York. If you live in the city like me, you'll recognize certain places and understand that the city is supposed to be more than just a setting, rather one of the main characters. There are genuinely tender moments, humorous conversations, and plot twists left and right which all keep things interesting.

The Bad: The first thing I thought after leaving the theater was that I wanted more, but not in the positive "leave them wanting more" fashion. Certainly the good skits/scenes outweigh the bad, but there are a lot of skits that fall within the "in-between" category, too many in fact, which is what ultimately brings the movie down. Also, New York City's diversity, though hinted at though the many distant pans of the city and mentioned in conversation throughout the movie, is never really realized or analyzed to the point of doing the city justice. For example, many of the skits involve well to do middle aged whites. I mean I know the city is home to many of the said demographic but come on, Paris Je'taime's plot and character diversity makes New York City look like Lancaster, PA, or someplace really white. It is just disappointing to see the city shortchanged on its heritage like that.

Still, even after having said this, I would recommend giving New York, I Love You a view. Who knows, maybe you'll disagree with my opinion and maybe you won't. You will never know until you see it for yourself. This review is not meant to deter anyone from watching this movie, as everyone's opinion on art differs. I'm just giving you a very vague heads up on what to expect.