La cartomancienne

1932
12min

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Añade un argumento en tu idiomaIn a European seaside village, a maiden takes clean sheets down from the clothesline. Carrying her basket of linens home, she stops to consult a fortune teller, whose been napping the the su... Leer todoIn a European seaside village, a maiden takes clean sheets down from the clothesline. Carrying her basket of linens home, she stops to consult a fortune teller, whose been napping the the sun. The cartomancienne sees love in the cards. The young woman pauses to reflect. We then s... Leer todoIn a European seaside village, a maiden takes clean sheets down from the clothesline. Carrying her basket of linens home, she stops to consult a fortune teller, whose been napping the the sun. The cartomancienne sees love in the cards. The young woman pauses to reflect. We then see water, swirling, and into view swims a man, as if just appearing on earth. He arrives o... Leer todo

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- Jerome Hill

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PUNTUACIÓN EN IMDb

6,7/10

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TU PUNTUACIÓN

Dirección
- Jerome Hill

Ver la información de la producción en IMDbPro

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Included in the "Unseen Cinema: Early American Avant-Garde films 1894-1941" DVD collection, released by Image Entertainment.

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10/10

praises from an experimental film lover

you want to see the very principles of experimental filming? don't hesitate watching 'La Cartomancienne', a short film work of pure genius. you get to see lights that transcend into images like Busby Berkeley would adapt in his 'Gold Diggers ...' series. you see philosophical images which raises questions faster than answers, like the scenes from a David Lynch movie, only sixty years later. you see unclear things and entities in the water of a lake, as Kenneth Anger would do in his 'Eaux Artifices', thirty years later. in fact, the whole picture can't be reviewed without making comparisons with Maya Deren's 'Meshes of the Afternoon'. they contain both almost the same story in other pictures. our conclusion is that there would be no experimental film today without 'La Cartomancienne' in 1932.