Hezardastan

Miniserie de TV
1988
12h

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Ezzatolah Entezami, Mohamad Ali Keshavarz, Jamshid Mashayekhi, Ali Nasirian, and Davoud Rashidi in Hezardastan (1988)

Añade un argumento en tu idiomaA corrupt, six-fingered detective is sent to recruit a retired assassin now living a secluded life as a calligrapher to assassinate a prominent government official known as Hezardastan who h... Leer todoA corrupt, six-fingered detective is sent to recruit a retired assassin now living a secluded life as a calligrapher to assassinate a prominent government official known as Hezardastan who has stolen jewels from a member of the royal family. However, the calligrapher one-ups the ... Leer todoA corrupt, six-fingered detective is sent to recruit a retired assassin now living a secluded life as a calligrapher to assassinate a prominent government official known as Hezardastan who has stolen jewels from a member of the royal family. However, the calligrapher one-ups the detective and holds him as his prisoner and tortures him. The calligrapher begins to refle... Leer todo

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PUNTUACIÓN EN IMDb

8,6/10

1,7 mil

TU PUNTUACIÓN

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1Reseña de usuario

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Episodios15

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DestacadoMejor puntuado 1 Temporada 1988

Imágenes21

+ 17

Reparto principal39

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Ali Nasirian

Abolfath

Mohamad Ali Keshavarz

Shaban Ostekhani

Jamshid Mashayekhi

Dash Reza Tofangchi…

Ezzatolah Entezami

Hezardastan

Davoud Rashidi

Mofattesh shesh angoshti

Mofattesh e Nazmie

Parviz Poorhosseini

Matin-o-saltane

Ajan

Rogheyeh Chehreh-Azad

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Bashu, el pequeño extraño

8,3

Marg Yazdgerd

7,9

Gaav

Argumento

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Curiosidades
The movie was censored numerous times before it was cleared for screening by Islamic organizations in Iran.

Conexiones
Edited into Komiteh mojazat (1997)

Reseñas de usuarios1

Comentarios

Reseña destacada

10/10

Scholarly work has not payed him justice

Ali Hatami's reputation outside Iran is not in proportion with the quality of his work. His keen understanding of Persian history and socio-political structure has not been surpassed by any other Persian director.

His critical insight and brilliant formulation of different aspects of Persian culture reaches far more than a simple nostalgic reconstruction of it. Contrary to many of other Persian directors, his influence on the way in which his home addressees understand themselves has been great. Most specifically, his contribution to our visual understanding of Persian modern history is unrivalled.