Una adinerada neoyorquina lucha con la decisión de dejar a su marido infiel, pero ella y sus amigas descubren que las mujeres realmente pueden tenerlo todo.Una adinerada neoyorquina lucha con la decisión de dejar a su marido infiel, pero ella y sus amigas descubren que las mujeres realmente pueden tenerlo todo.Una adinerada neoyorquina lucha con la decisión de dejar a su marido infiel, pero ella y sus amigas descubren que las mujeres realmente pueden tenerlo todo.
- Premios
- 4 premios y 4 nominaciones en total
Argumento
¿Sabías que...?
- CuriosidadesTanya the manicurist (Debi Mazar) talks about meeting Madonna. Mazar and Madonna are long-time friends; Mazar appeared in four Madonna music videos: "True Blue" and "Papa Don't Preach" (1986), "Deeper and Deeper" (1992) and "Music" (2000).
- PifiasBefore the fashion show, Mary's mother asks Mary to rethink how she is presenting the coats for the show. When we view the fashion show, there are no coats modeled, only dresses.
- Citas
Catherine Frazier: It feels like someone kicked you in the stomach, feels like your heart stopped beating, feels like that dream, you know the one, when you are falling and you want so desperately to wake up before you hit the ground but it's all out of your control, you can't trust anything anymore, no-one is who they say they are, your life is changed forever, and the only thing to come out of the whole ugly experience is no-one will be able to break your heart like that again.
- Créditos adicionalesMeg Ryan, Annette Bening and Carrie Fisher were all in Postcards From The Edge, the film made of Fisher's book.
- Banda sonoraEverything Good Goes Away
Written by Ruby James and Rene Reyes
Performed by Ruby James
Courtesy of Ruby James, LLC
And then there's the cast. I don't envy any group of actresses setting themselves up for comparison with the sensational ensemble of the original. This cast sounds impressive on paper, but they never really gel. It took the "SATC" women several seasons of hard work to develop as individual characters that come together so smoothly. Ryan, Bening, Messing, and Pinkett Smith can't manage the same feat in two hours, especially not when saddled playing cardboard stereotypes representing different aspects of whatever the filmmakers think "the modern woman" is. Not one of these characters, for all the talents of the actresses playing them, ever actually felt like a real person.
That said, there's some life here, scattered scenes that are amusing or touching. The four leads are ably assisted, especially by Cloris Leachman and Candice Bergen, in beautifully played roles that ring true. And Bette Midler steals the too-brief chunk of the movie she gets, giving us a hint of how brass and sassy a genuine attempt at updating "The Women" might have been. Unfortunately, Eva Mendes then comes back on screen, reminding us of how beneath Joan Crawford's Crystal Allen her version is, and how much this movie pales in comparison. (Not that it's all Mendes's fault -- true, she's no Joan Crawford, but her role here is a shadow of what Crawford got to sink her teeth into.) If you like chick flicks (I'm a guy, but I tend to) and you're not hoping for anything close to the original, then give it a go. Just don't expect too much. Everyone else, don't waste your time.
- michael-3204
- 12 abr 2009
- Enlace permanente
Selecciones populares
Detalles
Taquilla
- Presupuesto
- 16.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 26.902.075 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 10.115.210 US$
- 14 sept 2008
- Recaudación en todo el mundo
- 50.007.546 US$
- Duración1 hora 54 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1