Una invasión alienígena amenaza el futuro de la humanidad. La pesadilla catastrófica se describe a través de los ojos de una familia estadounidense que lucha por sobrevivir.Una invasión alienígena amenaza el futuro de la humanidad. La pesadilla catastrófica se describe a través de los ojos de una familia estadounidense que lucha por sobrevivir.Una invasión alienígena amenaza el futuro de la humanidad. La pesadilla catastrófica se describe a través de los ojos de una familia estadounidense que lucha por sobrevivir.
- Nominado para 3 premios Óscar
- 16 premios y 49 nominaciones en total
Yul Vazquez
- Julio
- (as Yul Vázquez)
Camillia Monet
- News Producer
- (as Camillia Sanes)
Argumento
¿Sabías que...?
- CuriosidadesWhen the aliens are investigating the junk in the basement, one of them plays with a bicycle wheel. This is a reference to the original book; the main character observes that, with all the advanced technology the aliens possess, they do not use any wheels, and wonders if the alien life form had skipped the invention of the wheel.
- Pifias(at around 25 mins) A camera is seen filming the alien despite all electronics being disabled earlier in the film.
- Citas
Robbie Ferrier: What is it? Is it terrorists?
Ray Ferrier: These came from some place else.
Robbie Ferrier: What do you mean, like, Europe?
Ray Ferrier: No, Robbie, not like Europe!
- Créditos adicionalesThere are no opening credits after the title is shown.
- Versiones alternativasFor the U.S. theatrical release, the Paramount logo appeared before the Dreamworks logo at the beginning of the film, and the poster credits said, "Paramount Pictures and Dreamworks Pictures present." Since the U.S. version's home video/DVD rights are owned by Dreamworks, the Dreamworks logo at the beginning of the movie appears before the Paramount logo, and the back of the box's cover art says, "Dreamworks Pictures and Paramount Pictures present." In the European version, the original order of the logos and studio names is preserved (and the DVD is released by Paramount).
- ConexionesEdited into The Arrivals (2008)
- Banda sonoraFlatline
by Jeffrey Scott Harber, Jayce Alexander Basques, William Peng & Drew Dehaven Hall
Performed by Aphasia
Courtesy of Luke Eddins at Luke Hits and Joint Venture Recordings
Reseña destacada
"War of the Worlds" is Steven Spielberg's third movie in which extraterrestrials visit Earth, but the first in which their intentions are malevolent. It can't be coincidence that the arrival of the ETs is heralded with eerie lights flashing amid lowering clouds, as in "CE3K." From there, the similarity ends--no light show as friendly aliens come in for a closer look. These creatures (presumably Martians, as in the original H.G. Wells novel) aren't interested in making nice; nor is there any ambiguity about their ultimate objective (as there was for much of "CE3K"). They're here to wipe us off the face of the planet, plain and simple, a point we understand before the movie has played for even half an hour, and the giant walking tripods they deploy are remorselessly efficient. So, too, is the movie--at scaring the hell out of us, notwithstanding some gaping plot holes (what's up with that camcorder, anyway?) and a couple of sequences that are too reminiscent of other movies (particularly "Independence Day" and Spielberg's own "Jurassic Park").
That Spielberg uses imagery alluding to 9/11, the Holocaust, and perhaps the siege of London during World War II is, for me, less an exploitation than a reflection of how seriously he intends the audience to take the on screen mayhem. The atmosphere is heavy with threat, and the depiction of a populace numb with shock amid the devastation is chillingly convincing, despite a few moments of Hollywood cheese. We don't have Will Smith delivering snappy one-liners right after millions are massacred by the invading alien forces, a la "ID4." Nor is there much of a rah-rah, let's-kick-some-alien-ass mood as the outmatched Earthlings try fighting back. Even the ostensible protagonist (a low-key, effective Tom Cruise) crumples at one point under the enormity of what's happening.
I'm not really sure what the posters who complained of insufficient action and FX were talking about. Seems to me the tripods were pretty much a constant presence (if not always in the foreground) from about the 15-minute mark onward. And in fact the "war" of the title is waged from the beginning--it's just not on the level of humans vs. aliens combat that some viewers apparently were expecting.
That Spielberg uses imagery alluding to 9/11, the Holocaust, and perhaps the siege of London during World War II is, for me, less an exploitation than a reflection of how seriously he intends the audience to take the on screen mayhem. The atmosphere is heavy with threat, and the depiction of a populace numb with shock amid the devastation is chillingly convincing, despite a few moments of Hollywood cheese. We don't have Will Smith delivering snappy one-liners right after millions are massacred by the invading alien forces, a la "ID4." Nor is there much of a rah-rah, let's-kick-some-alien-ass mood as the outmatched Earthlings try fighting back. Even the ostensible protagonist (a low-key, effective Tom Cruise) crumples at one point under the enormity of what's happening.
I'm not really sure what the posters who complained of insufficient action and FX were talking about. Seems to me the tripods were pretty much a constant presence (if not always in the foreground) from about the 15-minute mark onward. And in fact the "war" of the title is waged from the beginning--it's just not on the level of humans vs. aliens combat that some viewers apparently were expecting.
- pbubny-1
- 3 jul 2005
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- La guerra dels mons
- Localizaciones del rodaje
- JF Kennedy Blvd., Bayonne, Nueva Jersey, EE.UU.(Ray's house - soundstage)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 132.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 234.280.354 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 64.878.725 US$
- 3 jul 2005
- Recaudación en todo el mundo
- 603.873.504 US$
- Duración1 hora 57 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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