Añade un argumento en tu idiomaThe story of Z Channel, one of the first U.S. pay cable stations and its programming chief, Jerry Harvey. Debuting in 1974 in LA, their eclectic slate of movies became a prime example of the... Leer todoThe story of Z Channel, one of the first U.S. pay cable stations and its programming chief, Jerry Harvey. Debuting in 1974 in LA, their eclectic slate of movies became a prime example of the untapped power of cable television.The story of Z Channel, one of the first U.S. pay cable stations and its programming chief, Jerry Harvey. Debuting in 1974 in LA, their eclectic slate of movies became a prime example of the untapped power of cable television.
- Premios
- 1 premio y 1 nominación en total
- Self - Program Director, Z Channel
- (metraje de archivo)
Argumento
¿Sabías que...?
- CuriosidadesThis film was made only after the financing for another film project, a fiction film, partially collapsed.
- Citas
Alexander Payne: You just never know when you're living in a golden age.
- ConexionesFeatures El colegial (1927)
- Banda sonoraWhat'll I Do
Performed by William Atherton
Written by Irving Berlin
Courtesy of Paramount Pictures Corporation and Williamson Music
Jerry Harvey was a film geek's film geek. He joined Z Channel in 1980 after programming films for a local art-house cinema. Under Harvey's direction, Z Channel really took off, competing against heavyweights like HBO. While remaining a local treasure, Z Channel's influence was disproportionate to its subscriber base, since so many filmmakers lived in the LA area. Harvey was a friend and champion of such filmmakers as Sam Peckinpah, Henry Jaglom, Michael Cimino, Robert Altman, and Paul Verhoeven, and was one of the first to show "director's cuts" of such misunderstood films as Heaven's Gate, Once Upon A Time In America, and The Wild Bunch. But he was also a deeply troubled man. His obsessive nature fuelled his work, but it often led to bouts of crushing depression. His mood swings culminated in a terrible tragedy in 1988 when he killed his wife and then took his own life. Remembrances from his friends are still fraught with grief and anger, more than fifteen years later.
While at first, I wondered if I were seeing two films (a portrait of Jerry Harvey, and an appreciation of overlooked films), I realized that the beauty of Cassavetes' film is that she's celebrating the life and achievements of Jerry Harvey by talking about some of the films that he brought to her attention through Z Channel. Not his tragic end, but what came before. So often, when a life ends in tragedy or violence, we only remember that part. Sure, you could call Harvey a murderer. But he was also an incredible film lover and filmmaker's advocate, someone who had a wide ranging influence as well as a group of loyal friends who are still reeling from his loss.
Z Channel only lasted about a year after Harvey's death, and the many people interviewed (Quentin Tarantino, James Woods, Theresa Russell, Paul Verhoeven, Robert Altman, and Jacqueline Bisset among them) seem almost as wistful about the death of a certain era in cable television as of their friend Jerry Harvey.
P.S. It seems fitting that I should end my 2004 Toronto International Film Festival experience with a film about a TV channel that director Henry Jaglom described as "like a film festival in your house every night."
- mcnally
- 16 sept 2004
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Канал Z. Великолепная одержимость
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro